The Magdalen with the Smoking Flame
GPTKB entity
Statements (55)
Predicate | Object |
---|---|
gptkbp:instanceOf |
painting
|
gptkbp:artist |
gptkb:Georges_de_La_Tour
|
gptkbp:artMovement |
Baroque art
|
gptkbp:artwork |
emotional expression
spirituality widely recognized chiaroscuro layering of paint innovative use of light featured in numerous exhibitions recognized masterpiece representation of women in art appreciated by art lovers redemption and forgiveness high value in art market examined in art critiques contribution to religious iconography discussed in art forums flame as a symbol of enlightenment tradition of depicting saints use of shadow and light important_work_in_Baroque_art_history Georges_de_La_Tour's_works impact_on_Baroque_art_movement interpretation_of_Mary_Magdalene's_story narrative_of_Mary_Magdalene's_life |
gptkbp:collection |
Louvre
|
gptkbp:colors |
dark_tones
|
gptkbp:culturalHeritage |
context of 17th century religious art
|
gptkbp:culturalImpact |
inspired later artists
|
gptkbp:culturalSignificance |
depiction of female figures in art
|
gptkbp:depicts |
Mary_Magdalene_with_a_smoking_flame
|
gptkbp:dimensions |
100 cm × 81 cm
|
gptkbp:director |
subject of art historical studies
|
gptkbp:exhibitedAt |
Louvre
|
gptkbp:exhibits |
Exhibition_of_French_Baroque_Art
|
gptkbp:formed |
gptkb:France
|
gptkbp:has_a_focus_on |
the flame
|
gptkbp:historicalContext |
17th century France
|
gptkbp:historicalSignificance |
example of religious art
|
https://www.w3.org/2000/01/rdf-schema#label |
The Magdalen with the Smoking Flame
|
gptkbp:influence |
French_Baroque_painting
|
gptkbp:influenced |
Baroque artists
|
gptkbp:influencedBy |
Caravaggio
|
gptkbp:inspiredBy |
Biblical stories
|
gptkbp:location |
gptkb:Louvre_Museum
|
gptkbp:medium |
oil on canvas
|
gptkbp:notableFeature |
dramatic lighting
|
gptkbp:notableFor |
use of chiaroscuro
|
gptkbp:style |
Baroque
realism |
gptkbp:subject |
gptkb:Mary_Magdalene
|
gptkbp:symbolism |
repentance
|
gptkbp:technique |
oil painting
|
gptkbp:yearEstablished |
c. 1640
|