|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
poetic imagery
|
|
gptkbp:based_on
|
a play by Jean Cocteau
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography_by
|
gptkb:André_Thirion
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
cult classic
|
|
gptkbp:director
|
gptkb:Jean_Cocteau
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Paradoxe
|
|
gptkbp:editing
|
experimental
|
|
gptkbp:film_editing
|
gptkb:Henri_Colpi
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lovers (1934)
|
|
gptkbp:influenced_by
|
gptkb:cinema
gptkb:French_New_Wave
gptkb:theater
gptkb:literature
art movements
silent cinema
|
|
gptkbp:influences
|
surrealism
|
|
gptkbp:inspiration
|
personal experiences of Jean Cocteau
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:legacy
|
influenced filmmakers
|
|
gptkbp:music_by
|
gptkb:Georges_Auric
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_scene
|
symbolic imagery
poetic dialogue
dream sequences
visual metaphors
emotional climax
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Paradoxe
|
|
gptkbp:release_date
|
1934
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jean_Cocteau
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:soundtrack
|
gptkb:original_score
|
|
gptkbp:starring
|
gptkb:María_Casares
gptkb:Jean_Marais
gptkb:Edwige_Feuillère
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:identity
love
desire
|
|
gptkbp:bfsParent
|
gptkb:Pablo_Picasso
|
|
gptkbp:bfsLayer
|
4
|