Statements (63)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:adaptation |
gptkb:television_series
gptkb:1973 gptkb:film television. |
| gptkbp:author |
gptkb:Raymond_Chandler
|
| gptkbp:awards |
none.
|
| gptkbp:character |
Marlowe is a private detective.
|
| gptkbp:character_arc |
Marlowe's quest for truth.
|
| gptkbp:character_development |
Philip Marlowe evolves throughout the story.
|
| gptkbp:character_relationships |
Marlowe and the femme fatale.
Marlowe vs. corrupt officials. |
| gptkbp:character_traits |
Marlowe is a loner.
Marlowe is a romantic. Marlowe is a skeptic. Marlowe is cynical. Marlowe is intelligent. Marlowe is loyal. Marlowe is observant. Marlowe is resourceful. Marlowe is sarcastic. Marlowe is tough. |
| gptkbp:conflict |
Marlowe faces moral dilemmas.
|
| gptkbp:critical_reception |
well-received
|
| gptkbp:cultural_impact |
influenced detective fiction
|
| gptkbp:cultural_references |
referenced in various media.
|
| gptkbp:director |
gptkb:Robert_Altman
|
| gptkbp:filmography |
gptkb:Elliott_Gould
|
| gptkbp:genre |
gptkb:Detective
mystery comedy. |
| https://www.w3.org/2000/01/rdf-schema#label |
The Long Goodbyes
|
| gptkbp:influenced |
numerous authors.
|
| gptkbp:influenced_by |
hardboiled fiction
|
| gptkbp:influences |
film noir.
|
| gptkbp:inspiration |
Chandler's own experiences.
|
| gptkbp:is_motivated_by |
Marlowe seeks justice.
|
| gptkbp:isbn |
978-0-394-74000-0
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Philip_Marlowe
|
| gptkbp:motif |
deception.
alcohol. femininity. |
| gptkbp:narrative_style |
first-person
stream of consciousness. |
| gptkbp:notable_quote |
“ It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.”
“ I’m not sure I’m going to like this.” |
| gptkbp:page_count |
320
|
| gptkbp:plot |
Marlowe investigates a complex case.
|
| gptkbp:published_by |
1953
|
| gptkbp:publisher |
gptkb:Houghton_Mifflin
|
| gptkbp:reader_demographic |
cult following.
|
| gptkbp:series |
gptkb:none
|
| gptkbp:setting |
gptkb:Los_Angeles
post-World War II era. |
| gptkbp:significance |
considered a classic.
|
| gptkbp:style |
noir.
|
| gptkbp:symbolism |
the city of Los Angeles.
|
| gptkbp:themes |
gptkb:betrayal
gptkb:loss love |
| gptkbp:bfsParent |
gptkb:Greg_Lake
gptkb:Jim_O'_Rourke |
| gptkbp:bfsLayer |
5
|