gptkbp:instance_of
|
gptkb:painting
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:Anthony_Mc_Call
|
gptkbp:art_style
|
detailed realism
|
gptkbp:artist
|
gptkb:William_Holman_Hunt
|
gptkbp:artistic_influence
|
influenced later religious art
|
gptkbp:artistic_legacy
|
considered a masterpiece
|
gptkbp:audience
|
well-received at exhibitions
|
gptkbp:collection
|
The Lever Art Gallery Collection
|
gptkbp:color
|
vibrant colors
|
gptkbp:cultural_impact
|
inspired various adaptations
|
gptkbp:depicts
|
gptkb:philosopher
|
gptkbp:dimensions
|
36.5 in × 24.5 in
|
gptkbp:exhibition
|
gptkb:High_School
|
gptkbp:historical_context
|
gptkb:Victorian_England
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Light of the World LXXXIV
|
gptkbp:influence
|
gptkb:Symbolism
|
gptkbp:inspiration
|
gptkb:Revelation_3:20
|
gptkbp:location
|
gptkb:Lady_Lever_Art_Gallery
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
gptkbp:movement
|
gptkb:Pre-Raphaelite_Brotherhood
|
gptkbp:notable_features
|
door without a handle
|
gptkbp:related_works
|
The Light of the World (other versions)
|
gptkbp:significance
|
Religious symbolism
|
gptkbp:style
|
Victorian art
|
gptkbp:subject
|
gptkb:Christ_knocking_at_the_door
|
gptkbp:symbolism
|
light as divine presence
|
gptkbp:technique
|
realism
|
gptkbp:theme
|
gptkb:philosopher
|
gptkbp:year_created
|
1853
|