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gptkbp:instance_of
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gptkb:artwork
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Anthony_Mc_Call
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gptkbp:art_movement
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gptkb:Pre-Raphaelite_movement
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gptkbp:art_style
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glazing
symbolism
use of light
recognized as a masterpiece
religious painting
personal interpretation of faith
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gptkbp:artistic_influence
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influenced modern religious art
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gptkbp:artistic_legacy
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remains a significant work in art history
influenced later religious art
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gptkbp:associated_with
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gptkb:philosopher
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gptkbp:color
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rich colors
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gptkbp:created_by
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gptkb:William_Holman_Hunt
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gptkbp:cultural_impact
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inspired religious discussions
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gptkbp:cultural_significance
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depicts spiritual themes
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gptkbp:depicts
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gptkb:philosopher
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gptkbp:dimensions
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36 in × 24 in
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gptkbp:exhibited_at
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1854
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gptkbp:exhibition
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Royal Academy exhibitions
Exhibited at the Royal Academy in 1854
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gptkbp:historical_context
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gptkb:Victorian_England
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https://www.w3.org/2000/01/rdf-schema#label
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The Light of the World LXXVII
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gptkbp:influenced_artists
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gptkb:John_Everett_Millais
later Pre-Raphaelite artists
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gptkbp:influenced_by
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gptkb:award
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gptkbp:influences
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gptkb:Gothic_art
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gptkbp:innovation
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innovative use of color and light
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gptkbp:inspiration
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gptkb:Revelation_3:20
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gptkbp:is_criticized_for
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praised for its detail
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gptkbp:location
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gptkb:Lady_Lever_Art_Gallery
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gptkbp:medium
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gptkb:oil_on_canvas
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gptkbp:movement
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gptkb:Pre-Raphaelite_Brotherhood
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gptkbp:notable_features
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door without a handle
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gptkbp:owner
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gptkb:National_Museums_Liverpool
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gptkbp:reproduction
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widely reproduced in prints
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gptkbp:style
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Victorian art
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gptkbp:subject
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gptkb:Christ_knocking_at_the_door
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gptkbp:symbolism
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light as divine presence
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gptkbp:technique
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detailed realism
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gptkbp:themes
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redemption
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gptkbp:year_created
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1853
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