Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Anthony_Mc_Call
|
| gptkbp:art_style |
gptkb:historical_event
cultural significance glazing emotional depth spiritual reflection chiaroscuro iconic status timeless appeal cultural commentary layering of paint influence on later artists emphasis on realism spiritual symbolism fine brushwork evocative imagery philosophical undertones textural contrast narrative composition symbolic use of color part of a series of works moral message |
| gptkbp:artist |
gptkb:William_Holman_Hunt
|
| gptkbp:collection |
The Lever Art Gallery Collection
|
| gptkbp:color |
rich colors
|
| gptkbp:cultural_impact |
inspired various adaptations
|
| gptkbp:depicts |
door without a handle
|
| gptkbp:dimensions |
36 in × 24 in
|
| gptkbp:exhibition |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Light of the World LXIV
|
| gptkbp:influenced_by |
gptkb:John_Everett_Millais
|
| gptkbp:influences |
gptkb:award
|
| gptkbp:inspiration |
gptkb:Revelation_3:20
|
| gptkbp:location |
gptkb:Lady_Lever_Art_Gallery
|
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:movement |
gptkb:Pre-Raphaelite_Brotherhood
|
| gptkbp:notable_features |
use of light and shadow
naturalistic details Christ's serene expression |
| gptkbp:reproduction |
widely reproduced in prints
|
| gptkbp:significance |
Symbol of Christ's invitation to humanity
|
| gptkbp:style |
Victorian art
|
| gptkbp:subject |
gptkb:Christ_knocking_at_the_door
|
| gptkbp:symbolism |
light as divine presence
|
| gptkbp:technique |
detailed realism
|
| gptkbp:year_created |
1853
|