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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:bfsLayer
|
6
|
|
gptkbp:bfsParent
|
gptkb:Clann_na_nÓg
|
|
gptkbp:art_style
|
experimental
|
|
gptkbp:awards
|
gptkb:CEO
|
|
gptkbp:character
|
gptkb:The_Child
gptkb:The_Father
gptkb:The_Mother
gptkb:The_Soldier
gptkb:The_Lover
|
|
gptkbp:cinematography
|
gptkb:James_Mackay
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
cult classic
|
|
gptkbp:cultural_impact
|
LGBTQ+ cinema
|
|
gptkbp:director
|
gptkb:Derek_Jarman
|
|
gptkbp:distributor
|
gptkb:BFI_Distribution
|
|
gptkbp:editor
|
gptkb:Derek_Jarman
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:filmography
|
symbolism
poetic imagery
montage
|
|
gptkbp:genre
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gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last of England (1972)
|
|
gptkbp:influenced
|
artistic movements
later filmmakers
|
|
gptkbp:influenced_by
|
gptkb:British_politics
social issues
|
|
gptkbp:influences
|
gptkb:Avant-garde_cinema
gptkb:Monarch
|
|
gptkbp:inspiration
|
personal experiences
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential work
|
|
gptkbp:music
|
gptkb:Brian_Eno
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_appearance
|
gptkb:Tilda_Swinton
|
|
gptkbp:notable_quote
|
" The last of England"
|
|
gptkbp:premiere
|
gptkb:London_Film_Festival
|
|
gptkbp:producer
|
gptkb:Derek_Jarman
|
|
gptkbp:release_year
|
gptkb:1972
|
|
gptkbp:remastered
|
gptkb:battle
|
|
gptkbp:runtime
|
75 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Derek_Jarman
|
|
gptkbp:symbol
|
the landscape
the flag
the home
|
|
gptkbp:theme
|
British identity
|
|
gptkbp:viewing_platform
|
gptkb:project
gptkb:film
|