Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
staged readings
|
| gptkbp:associatedWith |
complex
|
| gptkbp:audience |
adults
theatergoers emotional resonance thought-provoking |
| gptkbp:character |
Ruth
Nick |
| gptkbp:characterAppearance |
personal dilemmas
|
| gptkbp:characterArc |
Nick's_journey
Ruth's_journey |
| gptkbp:characterDevelopment |
explores personal growth
|
| gptkbp:characterTraits |
interpersonal relationships
search for meaning dialogue-driven |
| gptkbp:conflict |
internal and external struggles
|
| gptkbp:criticalReception |
generally positive
|
| gptkbp:culturalImpact |
influenced contemporary playwrights
|
| gptkbp:culturalSignificance |
reflects societal issues
|
| gptkbp:duration |
approximately 90 minutes
|
| gptkbp:follows |
two characters
|
| gptkbp:genre |
drama
|
| gptkbp:hasFunction |
linear_narrative
|
| gptkbp:hasPerformance |
gptkb:The_Actors_Theatre_of_Louisville
|
| gptkbp:historicalContext |
World War II era
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Last Train to Nibroc
|
| gptkbp:humanInteraction |
hope
dreams regret |
| gptkbp:influences |
gptkb:American_theater
|
| gptkbp:inspiration |
Hutton's_own_experiences
|
| gptkbp:language |
English
character-driven |
| gptkbp:motif |
journeys
|
| gptkbp:notableFeature |
multiple regional awards
|
| gptkbp:performance |
two-act play
|
| gptkbp:performances |
intimate
|
| gptkbp:premieredOn |
1998
|
| gptkbp:producedBy |
various theater companies
|
| gptkbp:productionCompany |
performed in various festivals
minimalist set |
| gptkbp:publishedBy |
gptkb:Samuel_French
|
| gptkbp:setIn |
1940s
|
| gptkbp:setting |
train station
|
| gptkbp:style |
realism
|
| gptkbp:symbolism |
trains
|
| gptkbp:thematicElement |
identity
self-discovery belonging human connection explores existential questions the train as a metaphor hope_vs_despair |
| gptkbp:theme |
love
faith loss |
| gptkbp:wrote |
gptkb:Arlene_Hutton
|