gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:Robert_Wiene
|
gptkbp:awards
|
Best Actor at the Venice Film Festival
|
gptkbp:based_on
|
The Last Laugh (play)
|
gptkbp:cinematography
|
gptkb:Karl_Freund
|
gptkbp:color
|
black-and-white
|
gptkbp:country
|
gptkb:government_agency
|
gptkbp:critical_reception
|
acclaimed for its cinematography.
|
gptkbp:cultural_impact
|
inspired later films
|
gptkbp:cultural_significance
|
reflects the socio-political climate of 1930s Germany.
|
gptkbp:director
|
gptkb:Fritz_Lang
|
gptkbp:distributor
|
gptkb:UFA
|
gptkbp:filmography
|
gptkb:Paul_Falkenberg
uses innovative camera angles.
|
gptkbp:genre
|
gptkb:High_School
|
gptkbp:has_cameo
|
Fritz Lang appears in the film.
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Laugh (1934)
|
gptkbp:influenced
|
filmmakers like Alfred Hitchcock.
the development of sound films.
the visual style of later German films.
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
|
gptkbp:inspiration
|
inspired by the struggles of the working class.
|
gptkbp:language
|
gptkb:Native_American_tribe
|
gptkbp:legacy
|
considered a classic of silent cinema.
|
gptkbp:music
|
gptkb:Bertolt_Brecht
|
gptkbp:notable_appearance
|
the transformation of the protagonist.
|
gptkbp:plot
|
A doorman loses his job and struggles with his identity.
|
gptkbp:producer
|
gptkb:Erich_Pommer
|
gptkbp:release_date
|
1934
|
gptkbp:release_region
|
gptkb:government_agency
|
gptkbp:release_year
|
1934
|
gptkbp:remake
|
gptkb:The_Last_Laugh_(2000)
gptkb:The_Last_Laugh_(1950)
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
gptkb:Carl_Zuckmayer
|
gptkbp:set_in
|
expressionist style.
|
gptkbp:starring
|
gptkb:Rudolf_Forster
gptkb:Emil_Jannings
Hans Albrecht
Maly Delschaft
|
gptkbp:technique
|
no intertitles
|
gptkbp:themes
|
identity and social status.
|