gptkbp:instance_of
|
gptkb:artwork
|
gptkbp:art_style
|
gptkb:artwork
use of color
dynamic poses
dramatic expressions
|
gptkbp:artist
|
gptkb:Michelangelo
|
gptkbp:artistic_legacy
|
inspired various adaptations
widely reproduced in prints
considered a masterpiece
subject of scholarly analysis
featured in art history courses
influenced modern interpretations of judgment
|
gptkbp:commissioned
|
gptkb:Pope_Clement_VII
|
gptkbp:completed
|
gptkb:Pope_Paul_III
|
gptkbp:cultural_significance
|
depicts the final judgment of humanity
|
gptkbp:dimensions
|
440 cm × 880 cm
|
gptkbp:exhibition
|
gptkb:Vatican_Museums
|
gptkbp:historical_context
|
gptkb:Counter-Reformation
Catholic Church's response to Protestant Reformation
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Judgment of the Saved and the Damned
|
gptkbp:influence
|
Renaissance art
Western art history
subsequent religious art
|
gptkbp:inspiration
|
gptkb:church
gptkb:Dante's_Divine_Comedy
|
gptkbp:location
|
gptkb:Sistine_Chapel
|
gptkbp:medium
|
gptkb:artwork
|
gptkbp:notable_figures
|
gptkb:philosopher
gptkb:Saint
gptkb:mythological_figure
Damned souls
Saved souls
|
gptkbp:restoration
|
1990s restoration
|
gptkbp:style
|
gptkb:Mannerism
|
gptkbp:subject
|
gptkb:award
|
gptkbp:year_created
|
1541
|
gptkbp:bfsParent
|
gptkb:Mihály_Munkácsy
|
gptkbp:bfsLayer
|
5
|