|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.33:1
|
|
gptkbp:awards
|
Best Director at Cannes
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cinematography_by
|
gptkb:Miloš_Forman
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Czechoslovakia
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
studied in film schools
influenced filmmakers
|
|
gptkbp:director
|
gptkb:Miloš_Forman
|
|
gptkbp:distributor
|
gptkb:Czech_Television
|
|
gptkbp:edited_by
|
gptkb:Miloš_Forman
|
|
gptkbp:filming_location
|
gptkb:Czech_Republic
|
|
gptkbp:follows
|
gptkb:The_Firemen's_Ball
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Judgment (1976)
|
|
gptkbp:influenced
|
gptkb:The_Square
gptkb:The_Lives_of_Others
gptkb:The_Pianist
gptkb:The_Diving_Bell_and_the_Butterfly
gptkb:The_Great_Beauty
|
|
gptkbp:influenced_by
|
gptkb:Czech_New_Wave
|
|
gptkbp:language
|
gptkb:Czech
|
|
gptkbp:music_by
|
gptkb:Václav_Havel
|
|
gptkbp:notable_quote
|
" The truth is not always what it seems."
|
|
gptkbp:precedes
|
gptkb:One_Flew_Over_the_Cuckoo's_Nest
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Barrandov_Studios
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Miloš_Forman
|
|
gptkbp:starring
|
gptkb:Jan_Tříska
gptkb:Jana_Šulcová
gptkb:Petr_Čepek
gptkb:Rudolf_Hrušínský
gptkb:Václav_Havel
|
|
gptkbp:themes
|
gptkb:human_rights
gptkb:satire
social criticism
|
|
gptkbp:viewing_format
|
gptkb:television
|
|
gptkbp:bfsParent
|
gptkb:Elio_Petri
|
|
gptkbp:bfsLayer
|
5
|