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gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:radio_station
gptkb:film
|
|
gptkbp:author
|
gptkb:Karl_Kraus
|
|
gptkbp:character
|
gptkb:The_Journalist
gptkb:The_Narrator
gptkb:The_Woman
gptkb:The_Soldier
gptkb:various_characters
gptkb:The_Politician
various figures from society
|
|
gptkbp:cultural_impact
|
gptkb:historical_event
anti-war sentiment
satirical commentary
literary significance
critique of society
studied in literature courses
influenced anti-war movements
reflection on war
theatrical significance
|
|
gptkbp:filming_location
|
gptkb:Vienna
|
|
gptkbp:genre
|
gptkb:comic_book
satirical play
|
|
gptkbp:historical_context
|
gptkb:World_War_I
gptkb:Austro-Hungarian_Empire
early 20th century Europe
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Days of Mankind
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gptkbp:influence
|
gptkb:theatre
German literature
|
|
gptkbp:influenced
|
later playwrights
|
|
gptkbp:influenced_by
|
gptkb:Expressionism
gptkb:World_War_I
|
|
gptkbp:inspired
|
modern drama
anti-war literature
satirical works
subsequent playwrights
|
|
gptkbp:language
|
gptkb:Native_American_tribe
|
|
gptkbp:notable_character
|
gptkb:The_Journalist
gptkb:The_Narrator
gptkb:The_Soldier
gptkb:The_Politician
|
|
gptkbp:notable_for
|
its emotional depth
its narrative style
its character development
its complexity
its use of irony
its historical context
its dialogue
its exploration of human nature
its length
its innovative techniques
its social commentary
its structure
its exploration of identity
its philosophical questions
its relevance today
its exploration of morality
its exploration of hope
its exploration of despair
its use of satire
its exploration of politics
its exploration of culture
its exploration of society
its exploration of human relationships
its exploration of absurdity
its critique of war
its exploration of existentialism
its commentary on morality
its critique of politics
its impact on modern theater
its themes of absurdity
|
|
gptkbp:notable_performance
|
gptkb:Berlin
gptkb:New_York
gptkb:Vienna
|
|
gptkbp:notable_quote
|
" We are all in the same boat."
" The world is a stage, but the play is badly cast."
" The world is a stage, and we are all actors."
|
|
gptkbp:notable_work
|
gptkb:Karl_Kraus
|
|
gptkbp:official_language
|
gptkb:Native_American_tribe
|
|
gptkbp:premiere
|
gptkb:1930
1918
|
|
gptkbp:premiere_date
|
gptkb:2014
1918
|
|
gptkbp:premiered_on
|
1918
|
|
gptkbp:published_by
|
gptkb:1930
1918
Kurt Wolff Verlag
book form
|
|
gptkbp:publisher
|
Kurt Wolff Verlag
|
|
gptkbp:setting
|
gptkb:World_War_I
gptkb:Austro-Hungarian_Empire
|
|
gptkbp:social_structure
|
multiple acts
|
|
gptkbp:style
|
gptkb:political_organization
expressionism
satirical
absurdist
|
|
gptkbp:theme
|
gptkb:political_movement
gptkb:humanity
gptkb:war
|
|
gptkbp:themes
|
gptkb:historical_event
gptkb:political_movement
gptkb:humanity
gptkb:moral_ambiguity
gptkb:war
disillusionment
human suffering
social critique
absurdity of war
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
English
|
|
gptkbp:written_by
|
gptkb:Karl_Kraus
|
|
gptkbp:bfsParent
|
gptkb:Karl_Kraus
gptkb:Erika_Mann
gptkb:Bryan_Hymel
gptkb:David_Pountney
gptkb:John_Van_Druten
gptkb:German_Democratic_Republic's_cinema
gptkb:Paul_Tietjens
gptkb:Daniel_Kehlmann
gptkb:Vladimir_Bartol
gptkb:Sophie_Koch
gptkb:Rudolf_Schündler
gptkb:Hermann_Bahr
gptkb:Gottfried_Keller
gptkb:Mikhail_Bulgakov
gptkb:Karin_Boye
gptkb:The_Living_Theatre
gptkb:Robert_Lepage
gptkb:Stefan_Zweig
gptkb:Alfred_Döblin
gptkb:Noel_Coward
gptkb:Miriam_Stein
gptkb:Alberto_Savinio
gptkb:Joseph_Roth
gptkb:Miloš_Crnjanski
gptkb:Roberto_Rossellini
gptkb:Clare_Boothe_Luce
gptkb:theater_of_the_absurd
gptkb:Frank_Wedekind
gptkb:Gabriele_D'_Annunzio
|
|
gptkbp:bfsLayer
|
4
|