|
gptkbp:instance_of
|
gptkb:character
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:television
gptkb:film
|
|
gptkbp:associated_with
|
gptkb:Malvolio
gptkb:Olivia
gptkb:Viola
|
|
gptkbp:author
|
gptkb:William_Shakespeare
|
|
gptkbp:character_traits
|
gptkb:Charismatic
Compassionate
Romantic
Impulsive
Idealistic
|
|
gptkbp:conflict
|
Romantic rivalry
|
|
gptkbp:cultural_impact
|
Studied in literature courses
Influenced romantic comedies
Performed worldwide
Adapted into various forms
Inspiration for modern works
|
|
gptkbp:first_performance
|
1602
|
|
gptkbp:gender
|
gptkb:Male
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The King in Twelfth Night
|
|
gptkbp:influence
|
Western literature
|
|
gptkbp:is_motivated_by
|
Social status
Personal happiness
Search for identity
Desire for companionship
Love for Olivia
|
|
gptkbp:is_played_by
|
gptkb:Twelfth_Night
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_quote
|
If music be the food of love, play on.
Some are born great, some achieve greatness, and some have greatness thrust upon 'em.
|
|
gptkbp:relationship
|
gptkb:Sir_Toby_Belch
gptkb:Sir_Andrew_Aguecheek
gptkb:Antonio
gptkb:Feste
gptkb:Malvolio
gptkb:Olivia
gptkb:Sebastian
gptkb:Viola
|
|
gptkbp:resolution
|
gptkb:marriage
|
|
gptkbp:role
|
gptkb:Ruler
|
|
gptkbp:setting
|
gptkb:Illyria
|
|
gptkbp:symbolizes
|
gptkb:Social_hierarchy
gptkb:transformation
Joy and celebration
Romantic love
Identity confusion
|
|
gptkbp:theme
|
gptkb:Love
gptkb:Deception
gptkb:identity
|
|
gptkbp:type
|
gptkb:comedy
|
|
gptkbp:bfsParent
|
gptkb:Edwin_Booth
|
|
gptkbp:bfsLayer
|
4
|