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gptkbp:instance_of
|
gptkb:musical_composition
gptkb:album
gptkb:film
|
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:event
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gptkbp:analyzes
|
cultural impact of KLF
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gptkbp:artist
|
gptkb:The_KLF
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gptkbp:collects
|
KLF's rise to fame
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gptkbp:contains
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gptkb:Justified_and_Ancient
gptkb:3_a.m._Eternal
gptkb:Last_Train_to_Trancentral
gptkb:What_Time_Is_Love?
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gptkbp:country
|
gptkb:United_Kingdom
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gptkbp:cover_art
|
gptkb:The_KLF
|
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gptkbp:depicts
|
KLF's music style
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|
gptkbp:directed_by
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gptkb:John_Mc_Hugh
|
|
gptkbp:discusses
|
KLF's philosophy
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|
gptkbp:distribution
|
gptkb:Channel_4
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|
gptkbp:edited_by
|
gptkb:John_Mc_Hugh
|
|
gptkbp:editor
|
gptkb:John_Mc_Hugh
|
|
gptkbp:explores
|
music industry dynamics
|
|
gptkbp:features
|
music videos
|
|
gptkbp:filming_location
|
various locations
|
|
gptkbp:follows
|
gptkb:The_KLF
gptkb:The_KLF:_The_White_Room
|
|
gptkbp:format
|
CD
|
|
gptkbp:genre
|
gptkb:film
Electronic
|
|
gptkbp:has_artwork
|
gptkb:battle
|
|
gptkbp:has_cameo
|
various artists
|
|
gptkbp:highlights
|
KLF's controversial actions
|
|
gptkbp:includes
|
gptkb:book_series
|
|
gptkbp:influenced
|
future artists
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|
gptkbp:is_a
|
gptkb:film
|
|
gptkbp:is_associated_with
|
avant-garde art
|
|
gptkbp:is_available_in
|
multiple formats
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
Streaming platforms
|
|
gptkbp:is_celebrated_in
|
its artistic vision
|
|
gptkbp:is_cited_in
|
academic studies
|
|
gptkbp:is_considered_as
|
cult classic
|
|
gptkbp:is_discussed_in
|
documentary reviews
|
|
gptkbp:is_documented_in
|
music history books
|
|
gptkbp:is_explored_in
|
music documentaries.
|
|
gptkbp:is_noted_for
|
its experimental techniques
|
|
gptkbp:is_part_of
|
The KLF discography
KLF's artistic output
KLF's legacy
KLF's discography
|
|
gptkbp:is_recognized_by
|
gptkb:literary_work
|
|
gptkbp:is_referenced_in
|
gptkb:organization
|
|
gptkbp:label
|
gptkb:KLF_Communications
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
60:00
70:00
|
|
gptkbp:monitors
|
archival footage
|
|
gptkbp:narrated_by
|
gptkb:Bill_Drummond
|
|
gptkbp:notable_for
|
its unique narrative style
its unconventional approach
|
|
gptkbp:preceded_by
|
gptkb:The_White_Room
|
|
gptkbp:precedes
|
gptkb:The_KLF:_The_Chill_Out_Album
|
|
gptkbp:premiered_on
|
gptkb:London_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:United_Kingdom
gptkb:The_KLF
gptkb:KLF_Communications
|
|
gptkbp:producer
|
gptkb:The_KLF
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:recorded_by
|
Trancentral
|
|
gptkbp:release_date
|
gptkb:1992
|
|
gptkbp:release_year
|
gptkb:1992
|
|
gptkbp:released
|
gptkb:1992
gptkb:DJ
gptkb:KLF_Communications
gptkb:collection
|
|
gptkbp:released_in
|
gptkb:United_Kingdom
|
|
gptkbp:runtime
|
60 minutes
|
|
gptkbp:set_in
|
1980s and 1990s
|
|
gptkbp:succeeded_by
|
The KLF: 1992-1997
|
|
gptkbp:track
|
gptkb:America:_What_Time_Is_Love?
gptkb:The_KLF_-Last_Train_to_Trancentral_(Live_from_the_Lost_Continent)
The KLF -3 a.m. Eternal (Live at the S. S. L.)
The KLF -Justified and Ancient (Stand by the JA Ms)
The KLF -Last Train to Trancentral (Live at the S. S. L.)
The KLF -Justified and Ancient (Live at the S. S. L.)
The KLF -What Time Is Love? (Live at the S. S. L.)
The KLF -America: What Time Is Love? (Live at the S. S. L.)
|
|
gptkbp:written_by
|
gptkb:Bill_Drummond
|