|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:The_Jazz_Singer
|
|
gptkbp:awards
|
Academy Award for Best Actor nomination
|
|
gptkbp:based_on
|
The Jazz Singer (play)
|
|
gptkbp:box_office
|
$3.5 million
|
|
gptkbp:budget
|
$422,000
|
|
gptkbp:cinematography
|
gptkb:Hal_Mohr
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cultural_impact
|
considered a landmark in film history
significant in film history
|
|
gptkbp:cultural_significance
|
depicts Jewish-American culture
|
|
gptkbp:director
|
gptkb:Alan_Crosland
|
|
gptkbp:edited_by
|
gptkb:Bert_Bates
|
|
gptkbp:film_series
|
gptkb:The_Jazz_Singer_franchise
|
|
gptkbp:genre
|
gptkb:musical
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Jazz Singer (1925)
|
|
gptkbp:influenced
|
gptkb:concert_tour
the development of sound technology in cinema
the transition from silent films to talkies
future sound films
the evolution of musical storytelling in film
the future of Hollywood musicals
the portrayal of Jewish identity in cinema
the portrayal of race in film
|
|
gptkbp:inspiration
|
Al Jolson's life
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Louis_Silvers
|
|
gptkbp:notable_appearance
|
Al Jolson performing on stage
the first synchronized sound sequence
|
|
gptkbp:notable_for
|
first feature-length talkie
its historical significance in cinema
Al Jolson's blackface performance
the use of synchronized sound
|
|
gptkbp:notable_song
|
gptkb:Mammy
Toot, Toot, Tootsie! (Goodbye)
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:production_company
|
gptkb:Warner_Bros.
|
|
gptkbp:release_date
|
1927-10-06
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:remake
|
gptkb:The_Jazz_Singer_(1952)
|
|
gptkbp:runtime
|
88 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Alfred_A._Cohn
|
|
gptkbp:starring
|
gptkb:Eugenie_Besserer
gptkb:May_Mc_Avoy
gptkb:Al_Jolson
gptkb:Warner_Oland
|