gptkbp:instance_of
|
gptkb:opera
|
gptkbp:adaptation
|
gptkb:musical_adaptation
|
gptkbp:awards
|
gptkb:Grammy_Award_for_Best_Opera_Recording
|
gptkbp:based_on
|
gptkb:The_Hours_(novel)
|
gptkbp:character_development
|
complex characters
|
gptkbp:choreography
|
gptkb:Penny_Woolcock
|
gptkbp:composer
|
gptkb:Kevin_Puts
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
exploration of women's roles in society
discussion of mental health in art
increased interest in opera adaptations
|
gptkbp:director
|
gptkb:Penny_Woolcock
|
gptkbp:duration
|
approximately 2 hours 30 minutes
|
gptkbp:features
|
three main characters
|
gptkbp:first_performance
|
gptkb:2019
|
gptkbp:genre
|
gptkb:drama
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hours (opera adaptation)
|
gptkbp:influenced_by
|
gptkb:Virginia_Woolf
stream of consciousness
feminist literature
Virginia Woolf's Mrs. Dalloway
Michael Cunningham's The Hours
|
gptkbp:influences
|
gptkb:postmodernism
20th-century literature
|
gptkbp:inspired_by
|
gptkb:The_Hours_(film)
|
gptkbp:language
|
English
|
gptkbp:librettist
|
gptkb:Gregory_Pierce
|
gptkbp:music_style
|
lyrical
dramatic
expressive
|
gptkbp:notable_conductors
|
gptkb:Tamar_Iveri
|
gptkbp:notable_performers
|
gptkb:Joyce_Di_Donato
gptkb:Kelli_O'_Hara
gptkb:Ryan_Speedo_Green
|
gptkbp:number_of_acts
|
two
|
gptkbp:orchestration
|
gptkb:Kevin_Puts
|
gptkbp:premiere_date
|
2019-01-12
|
gptkbp:premiere_location
|
gptkb:The_Metropolitan_Opera
|
gptkbp:production_company
|
gptkb:The_Metropolitan_Opera
|
gptkbp:record_label
|
gptkb:Decca_Records
|
gptkbp:repertoire
|
modern classical
|
gptkbp:setting
|
New York City, 1940s
|
gptkbp:themes
|
gptkb:identity
gptkb:time
mental health
|
gptkbp:bfsParent
|
gptkb:Michael_Cunningham
|
gptkbp:bfsLayer
|
5
|