Statements (45)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:poetry
|
gptkbp:adaptation |
Set to music by various composers
|
gptkbp:analysis |
Explores the conflict between love and sin.
|
gptkbp:author |
gptkb:John_Donne
|
gptkbp:characteristic |
Personal reflection
Philosophical inquiry Intense emotional expression Complex syntax Spiritual conflict |
gptkbp:contains_song |
ABBA ABBA CDCD EE
|
gptkbp:context |
Early 17th century England
|
gptkbp:critical_reception |
Widely studied in literature courses
|
gptkbp:cultural_impact |
Influenced modern poetry
Referenced in popular culture Considered a classic of English literature Part of the Western literary canon Studied for its historical context Analyzed in literary criticism Quoted in academic texts Examined for its theological implications Contributed to the development of sonnet form. Discussed in relation to Donne's life Influenced the genre of religious poetry |
gptkbp:form |
gptkb:sonnet
|
gptkbp:has_units |
Iambic pentameter
|
https://www.w3.org/2000/01/rdf-schema#label |
The Holy Sonnet 28
|
gptkbp:influence |
gptkb:Christian_literature
|
gptkbp:influenced_by |
Renaissance humanism
|
gptkbp:inspired_by |
gptkb:devotion
|
gptkbp:language |
English
|
gptkbp:literary_devices |
gptkb:Metaphor
gptkb:personification Imagery Paradox Alliteration |
gptkbp:notable_quote |
' O, to vex me, contrary, I am.'
|
gptkbp:part_of |
gptkb:Holy_Sonnets
|
gptkbp:published_by |
gptkb:Oxford_University_Press
|
gptkbp:published_in |
1633
|
gptkbp:related_to |
Theological debates
|
gptkbp:structure |
14 lines
|
gptkbp:style |
Metaphysical poetry
|
gptkbp:theme |
Divine love
|
gptkbp:bfsParent |
gptkb:John_Donne_Jr.
|
gptkbp:bfsLayer |
6
|