gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:John_Mills
gptkb:Peter_Shaw
|
gptkbp:aspect_ratio
|
1.85:1
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
Golden Globe nomination
Cannes Film Festival nomination
|
gptkbp:based_on
|
play by Reginald Rose
|
gptkbp:box_office
|
$1.5 million
|
gptkbp:character_development
|
moral dilemmas
complex characters
interpersonal conflicts
|
gptkbp:cinematography
|
gptkb:Oswald_Morris
|
gptkbp:color
|
black and white
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
exploration of human nature
portrayal of leadership
depiction of military justice
|
gptkbp:directed_by
|
gptkb:Sidney_Lumet
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
gptkbp:edited_by
|
gptkb:Dede_Allen
|
gptkbp:film_score
|
gptkb:Burt_Bacharach
|
gptkbp:filming_location
|
gptkb:Politician
|
gptkbp:filmography
|
gptkb:Dede_Allen
|
gptkbp:genre
|
gptkb:High_School
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Hill (1965)
|
gptkbp:influenced
|
subsequent war films
|
gptkbp:influenced_by
|
real-life military experiences
|
gptkbp:influences
|
anti-war sentiment
psychological thrillers
military dramas
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
streaming services
|
gptkbp:language
|
English
|
gptkbp:legacy
|
critical acclaim
cult classic status
influence on filmmakers
|
gptkbp:music_by
|
gptkb:Burt_Bacharach
|
gptkbp:narrative_style
|
dialogue-driven
linear narrative
character-focused
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
gptkbp:release_format
|
gptkb:music_video
theatrical
|
gptkbp:released
|
1965-12-01
|
gptkbp:runtime
|
123 minutes
|
gptkbp:screenplay_by
|
gptkb:Reginald_Rose
|
gptkbp:set_in
|
gptkb:North_Africa
|
gptkbp:starring
|
gptkb:Michael_Redgrave
gptkb:Sean_Connery
gptkb:Alfred_Lynch
gptkb:Ian_Bannen
gptkb:Jack_Watson
|
gptkbp:themes
|
gptkb:betrayal
gptkb:survival
authority
military life
|