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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:box_office
|
25 million USD
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|
gptkbp:budget
|
1.2 million USD
|
|
gptkbp:character_relationships
|
Blondie and Angel Eyes
Blondie and Tuco
Tuco and Angel Eyes
|
|
gptkbp:cinematography
|
gptkb:Tonino_Delli_Colli
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:composer
|
gptkb:Ennio_Morricone
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
Highly acclaimed
|
|
gptkbp:cultural_impact
|
Iconic status in cinema
|
|
gptkbp:director
|
gptkb:Sergio_Leone
|
|
gptkbp:editor
|
gptkb:Nino_Baragli
|
|
gptkbp:famous_quote
|
When you have to shoot, shoot. Don't talk.
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_series
|
gptkb:Dollars_Trilogy
|
|
gptkbp:genre
|
spaghetti western
|
|
gptkbp:has_sequel
|
gptkb:A_Fistful_of_Dollars
|
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Good, The Bad and The Ugly (Re-Recorded Version)
|
|
gptkbp:influence
|
Modern Western films
|
|
gptkbp:influenced_by
|
gptkb:American_Westerns
|
|
gptkbp:inspiration
|
Influenced filmmakers like Quentin Tarantino
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
Considered one of the greatest films of all time
|
|
gptkbp:main_character
|
gptkb:Angel_Eyes
gptkb:Blondie
gptkb:Tuco
|
|
gptkbp:notable_appearance
|
The train scene
The graveyard scene
The final standoff
The duel at the end
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
December 23, 1966
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:runtime
|
161 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Luciano_Vincenzoni
gptkb:Sergio_Leone
|
|
gptkbp:sequel
|
gptkb:For_a_Few_Dollars_More
|
|
gptkbp:soundtrack
|
gptkb:The_Good,_The_Bad_and_The_Ugly_(soundtrack)
|
|
gptkbp:theme
|
gptkb:Survival
gptkb:Community_Center
gptkb:Betrayal
gptkb:Greed
|
|
gptkbp:bfsParent
|
gptkb:Django's_Fire_Soundtrack
|
|
gptkbp:bfsLayer
|
6
|