Statements (87)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:military_unit
|
| gptkbp:alliance |
Fire Nation allies
|
| gptkbp:defeated |
gptkb:Earth_Kingdom_forces
|
| gptkbp:employs |
strategic warfare
|
| gptkbp:fought_in |
gptkb:Avatar_Aang
gptkb:Avatar_Roku |
| gptkbp:has |
gptkb:military_unit
gptkb:military_officer gptkb:battle training camps airships a command structure a history of expansionism |
| https://www.w3.org/2000/01/rdf-schema#label |
The Fire Nation Army
|
| gptkbp:is |
depicted in video games
featured in various media adaptations depicted in merchandise a symbol of imperialism in the series depicted in graphic novels depicted in animated series involved in political maneuvers often portrayed as technologically advanced a central element of the plot often portrayed as disciplined known for its military might often portrayed as ruthless often portrayed as a threat to peace often portrayed as a source of artistic collaboration often portrayed as a source of storytelling innovation often portrayed as a source of cross-cultural exchange often portrayed as a source of philosophical discussions a key player in the series' conflict a major antagonist in Avatar: The Last Airbender associated with the Fire Nation's ideology often portrayed as a force of destruction often portrayed as a military powerhouse often portrayed as a source of action often portrayed as a source of adventure often portrayed as a source of audience engagement often portrayed as a source of character arcs often portrayed as a source of collective action often portrayed as a source of community building often portrayed as a source of conflict often portrayed as a source of conflict resolution often portrayed as a source of creative expression often portrayed as a source of creative synergy often portrayed as a source of cultural commentary often portrayed as a source of cultural fusion often portrayed as a source of drama often portrayed as a source of dramatic irony often portrayed as a source of emotional impact often portrayed as a source of empowerment. often portrayed as a source of ethical questions often portrayed as a source of excitement often portrayed as a source of fear often portrayed as a source of genre blending often portrayed as a source of global awareness often portrayed as a source of intrigue often portrayed as a source of moral dilemmas often portrayed as a source of narrative tension often portrayed as a source of plot twists often portrayed as a source of social change often portrayed as a source of social critique often portrayed as a source of suspense often portrayed as a source of tension often portrayed as a source of viewer investment often portrayed as loyal to the Fire Lord often portrayed as a source of historical reflection often portrayed as a source of political commentary often portrayed as a source of thematic exploration often portrayed as a source of character development often portrayed as a source of interdisciplinary dialogue often portrayed as a source of artistic inspiration often portrayed as a source of narrative complexity |
| gptkbp:is_engaged_in |
war against the Water Tribes
war against the Earth Kingdom |
| gptkbp:known_for |
aggressive tactics
|
| gptkbp:led_to |
gptkb:Fire_Department
|
| gptkbp:operates |
in the Hundred Year War
|
| gptkbp:part_of |
gptkb:Fire_Nation
|
| gptkbp:recruitment |
gptkb:Fire_Nation_citizens
|
| gptkbp:uses |
siege weapons
fire-based technology |
| gptkbp:utilizes |
firebending
|
| gptkbp:bfsParent |
gptkb:The_Last_Airbender:_The_Complete_Book_3_Collection
gptkb:Fire_Lord_Ozai |
| gptkbp:bfsLayer |
4
|