|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Zora_Neale_Hurston
|
|
gptkbp:character_development
|
Janey's independence
Janey's growth
Janey's relationships
|
|
gptkbp:climax
|
Janey's realization of self
|
|
gptkbp:conflict
|
external
internal
|
|
gptkbp:critical_analysis
|
feminist perspective
historical perspective
post-colonial perspective
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_significance
|
African American literature
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
gptkbp:historical_context
|
gptkb:Great_Migration
gptkb:Jim_Crow_laws
gptkb:women's_rights_movement
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Eyes Were Watching God
|
|
gptkbp:influence
|
gptkb:Harlem_Renaissance
|
|
gptkbp:inspiration
|
Zora Neale Hurston's life
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
adapted into plays
studied in schools
influential novel
|
|
gptkbp:literary_devices
|
gptkb:Linguistics
gptkb:metaphor
imagery
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Janey_Crawford
|
|
gptkbp:motif
|
gptkb:community
freedom
nature
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:protagonist
|
gptkb:Female
|
|
gptkbp:published
|
1937
|
|
gptkbp:reader_demographic
|
reflection
empowerment
identification
|
|
gptkbp:release_year
|
gptkb:2005
|
|
gptkbp:resolution
|
Janey's return to Eatonville
|
|
gptkbp:setting
|
gptkb:Florida
|
|
gptkbp:story_arc
|
tragic
coming-of-age
romantic
|
|
gptkbp:style
|
poetic
|
|
gptkbp:symbolism
|
gptkb:voice_acting
pear tree
horizon
|
|
gptkbp:theme
|
love
self-discovery
gender roles
|
|
gptkbp:viewpoint
|
first-person
|
|
gptkbp:bfsParent
|
gptkb:Zora_Neale_Hurston
|
|
gptkbp:bfsLayer
|
3
|