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gptkbp:instance_of
|
gptkb:concerts
|
|
gptkbp:attendance
|
600,000
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|
gptkbp:broadcasts
|
gptkb:television
|
|
gptkbp:cultural_impact
|
influenced future rock concerts
|
|
gptkbp:date
|
August 30, 1970
|
|
gptkbp:director
|
gptkb:Paul_Mc_Cartney
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|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:featured_artist
|
gptkb:Sly_and_the_Family_Stone
gptkb:The_Who
gptkb:Jimi_Hendrix
gptkb:Joni_Mitchell
gptkb:Leonard_Cohen
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|
gptkbp:genre
|
gptkb:rock
|
|
gptkbp:historical_significance
|
part of the counterculture movement
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Doors (live at the Isle of Wight)
|
|
gptkbp:influenced
|
later live performances by rock bands
|
|
gptkbp:legacy
|
considered a classic rock performance
|
|
gptkbp:location
|
gptkb:Isle_of_Wight
|
|
gptkbp:notable_event
|
last performance with Jim Morrison in the UK
|
|
gptkbp:notable_moment
|
gptkb:historical_context
cultural significance
influence on future artists
musical experimentation
extended improvisation
crowd interaction
band chemistry
audience reaction
impact on rock music
use of light shows
Jim Morrison's stage presence
Morrison's charisma
Morrison's improvisation
Morrison's vocal performance
end of an era for The Doors
iconic status of the performance
legacy of the Isle of Wight Festival
|
|
gptkbp:performance_style
|
psychedelic rock
|
|
gptkbp:performed_by
|
gptkb:The_Doors
|
|
gptkbp:record_label
|
gptkb:Elektra_Records
|
|
gptkbp:recordings
|
gptkb:live_album
audio and video
|
|
gptkbp:reviews
|
generally positive
|
|
gptkbp:setlist
|
gptkb:Light_My_Fire
gptkb:The_End
gptkb:Back_Door_Man
gptkb:Break_on_Through_(To_the_Other_Side)
gptkb:Roadhouse_Blues
When the Music's Over
|
|
gptkbp:soundtrack
|
gptkb:Live_at_the_Isle_of_Wight_1970
|
|
gptkbp:venue
|
gptkb:Isle_of_Wight_Festival
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|
gptkbp:year
|
gptkb:1970
|
|
gptkbp:bfsParent
|
gptkb:Break_On_Through_(To_the_Other_Side)
gptkb:Break_on_Through_(To_the_Other_Side)
|
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gptkbp:bfsLayer
|
5
|