|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Jean-Paul_Sartre
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
radio plays
|
|
gptkbp:character
|
gptkb:the_Devil
gptkb:deity
gptkb:The_Devil
The Good Lord
Gustave
the Good Lord
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced existentialist thought
|
|
gptkbp:cultural_references
|
gptkb:organization
|
|
gptkbp:first_performance
|
1951
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:historical_context
|
gptkb:theatre_of_the_absurd
Cold War tensions
post-World War II Europe
rise of existentialism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Devil and the Good Lord
|
|
gptkbp:influence
|
gptkb:Politician
|
|
gptkbp:influenced_by
|
gptkb:Nietzsche
gptkb:Camus
gptkb:Dostoevsky
gptkb:Heidegger
gptkb:Kierkegaard
|
|
gptkbp:influences
|
gptkb:philosopher
gptkb:theatre
|
|
gptkbp:inspired_by
|
gptkb:theological_debates
human condition
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:notable_performance
|
gptkb:theatre
international tours
revivals
adaptations in other languages
|
|
gptkbp:notable_quote
|
" Hell is other people."
" Man is condemned to be free."
|
|
gptkbp:performed_by
|
universities
theatre festivals
|
|
gptkbp:premiere_date
|
1951
|
|
gptkbp:published_by
|
gptkb:Editions_Gallimard
1951
|
|
gptkbp:set_in
|
the 17th century
|
|
gptkbp:setting
|
gptkb:fortification
hell
|
|
gptkbp:theme
|
gptkb:existentialism
|
|
gptkbp:themes
|
gptkb:existentialism
freedom
faith
morality
responsibility
doubt
|
|
gptkbp:translated_into
|
gptkb:Spanish
gptkb:Native_American_tribe
English
|
|
gptkbp:written_by
|
gptkb:Jean-Paul_Sartre
|