The Crucifixion in the Arena Chapel
GPTKB entity
Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Giotto
|
| gptkbp:artist |
gptkb:Giotto_di_Bondone
|
| gptkbp:associated_with |
gptkb:philosopher
|
| gptkbp:color |
vibrant colors
|
| gptkbp:commissioned |
gptkb:Enrico_Scrovegni
|
| gptkbp:cultural_impact |
inspired numerous interpretations
early 14th century Italy |
| gptkbp:depicted_in |
gptkb:masterpiece_of_Giotto
|
| gptkbp:depicts |
crucifixion of Jesus
|
| gptkbp:dimensions |
approximately 200 cm × 100 cm
|
| gptkbp:exhibited_at |
various art museums
|
| gptkbp:historical_significance |
emphasis on human emotion
impact on visual storytelling development of perspective in painting integration of architecture and painting use of naturalism early example of Renaissance art development of narrative in art influence on composition in art influence on future religious art influence on iconography in Western art pioneering use of space in frescoes transition from medieval to Renaissance art |
| https://www.w3.org/2000/01/rdf-schema#label |
The Crucifixion in the Arena Chapel
|
| gptkbp:influenced |
gptkb:painting
later Renaissance artists |
| gptkbp:influenced_by |
gptkb:Monarch
Romanesque art |
| gptkbp:location |
gptkb:Arena_Chapel
|
| gptkbp:medium |
gptkb:artwork
|
| gptkbp:notable_features |
emotional expressions
dramatic use of color spatial depth |
| gptkbp:notable_figures |
gptkb:military_unit
gptkb:Marian_title gptkb:Mary_Magdalene gptkb:John_the_Apostle two thieves |
| gptkbp:part_of |
gptkb:Scrovegni_Chapel
a larger cycle of frescoes |
| gptkbp:restoration |
underwent restoration in the 20th century
|
| gptkbp:style |
Italian Gothic
|
| gptkbp:symbolism |
suffering of Christ
redemption of humanity |
| gptkbp:technique |
chiaroscuro
fresco secco |
| gptkbp:viewpoint |
linear perspective
|
| gptkbp:year_created |
1305
|