Statements (149)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Henri_Verneuil
|
| gptkbp:art_style |
Grim and stark.
|
| gptkbp:audience |
Cult following.
Provokes thought. Varied interpretations. Engages viewers emotionally. Widely praised. |
| gptkbp:awards |
gptkb:Academy_Award_for_Best_Foreign_Language_Film
|
| gptkbp:based_on |
The Counterfeiters by Adolf Burger
|
| gptkbp:box_office |
gptkb:unknown
|
| gptkbp:cast |
gptkb:Jan_Tříska
gptkb:Josef_Kemr gptkb:Vladimír_Šmeral gptkb:Miloš_Kopecký gptkb:Rudolf_Hrušínský gptkb:Jana_Štěpánková František Řehák Karel Höger Vera Kresadlo |
| gptkbp:character |
Deep character studies.
|
| gptkbp:character_arc |
Transformation of the main character.
|
| gptkbp:character_development |
Focus on moral dilemmas.
Analyzed for character arcs. Analyzed for character exploration. Studied for character arcs. Studied for character exploration. |
| gptkbp:character_relationships |
Internal and external conflicts.
Complex dynamics. Intricate relationships. |
| gptkbp:character_traits |
Analyzed for character themes.
|
| gptkbp:characteristics |
Focus on psychological depth.
|
| gptkbp:cinematography |
František Uldrich
Open to interpretation. Analyzed for critique. Studied for critique. |
| gptkbp:color |
black and white
|
| gptkbp:country |
gptkb:Monarch
|
| gptkbp:critical_reception |
Positive reviews.
|
| gptkbp:cultural_heritage |
A cultural film.
|
| gptkbp:cultural_impact |
Critically acclaimed.
Significant in film history. Analyzed for cultural significance. Studied for cultural significance. Contextualized within culture. |
| gptkbp:cultural_practices |
Studied for cultural impact.
Studied for cultural studies. |
| gptkbp:cultural_references |
Studied for cultural context.
|
| gptkbp:cultural_representation |
Analyzed for cultural studies.
|
| gptkbp:cultural_significance |
Explores themes of identity.
Explores deep themes. |
| gptkbp:design |
Authentic set design.
|
| gptkbp:director |
gptkb:Ján_Kadár
|
| gptkbp:distributor |
Cinematografica
|
| gptkbp:editor |
Traditional editing.
|
| gptkbp:film_festival |
gptkb:film_festival
|
| gptkbp:film_score |
Emotional and haunting.
|
| gptkbp:filming_location |
gptkb:Monarch
|
| gptkbp:filmography |
Studied in film courses.
Use of shadows. Enduring influence. Rich in symbolism. Inspired filmmakers. Significant impact on cinema. Realistic portrayal. Contextualized in history. Documentary-like. Analyzed as a cultural film. Analyzed for film studies. Eva M. K. K. K. K. Studied for film studies. Studied for impact on cinema. |
| gptkbp:genre |
gptkb:High_School
|
| gptkbp:historical_analysis |
Analyzed as a historical film.
Analyzed for historical accuracy. Analyzed for historical narrative. |
| gptkbp:historical_context |
Analyzed for historical context.
Set during World War II. Contextualized within WWII. Studied for historical context. |
| gptkbp:historical_significance |
Reflects on the Holocaust.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Counterfeiters (1961)
|
| gptkbp:influenced_by |
Italian Neorealism.
|
| gptkbp:influences |
gptkb:The_Holocaust
|
| gptkbp:inspiration |
Adolf Burger's memoir.
|
| gptkbp:is_characterized_by |
Multi-dimensional characters.
|
| gptkbp:is_critical_for |
Examined in film studies.
|
| gptkbp:is_criticized_for |
Critically examined.
Analyzed for its depth. Critique of morality. |
| gptkbp:is_motivated_by |
Survival.
Analyzed for character motivations. Studied for character motivations. |
| gptkbp:is_represented_in |
Represents a dark period.
|
| gptkbp:language |
gptkb:Czech
Reflects societal issues. Naturalistic. |
| gptkbp:legacy |
Considered a classic.
Influenced later films about the Holocaust. |
| gptkbp:motif |
Recurring themes in characters.
Analyzed for character motifs. Studied for character motifs. |
| gptkbp:music |
gptkb:Zdeněk_Liška
|
| gptkbp:narrative_style |
Based on true events.
Complex and layered. Analyzed for narrative structure. Non-linear elements. Studied for narrative. Analyzed for cultural narrative. Narrative based on history. Narrative reflects culture. Studied for cultural narrative. Studied for historical narrative. |
| gptkbp:narrative_theme |
Studied for cultural themes.
|
| gptkbp:notable_appearance |
Counterfeiting process.
|
| gptkbp:notable_film |
A historical film.
|
| gptkbp:performance |
Based on real events.
|
| gptkbp:plot |
A group of Jewish counterfeiters in a Nazi concentration camp.
|
| gptkbp:production_company |
gptkb:Czechoslovak_State_Film
|
| gptkbp:public_perception |
Provokes discussion.
|
| gptkbp:release_date |
1961-09-01
|
| gptkbp:release_year |
gptkb:1961
|
| gptkbp:remake |
None.
|
| gptkbp:runtime |
101 minutes
|
| gptkbp:screenplay_by |
gptkb:Elmar_Klos
gptkb:Ján_Kadár |
| gptkbp:soundtrack |
Original score by Zdeněk Liška.
|
| gptkbp:symbolism |
Symbolism in character arcs.
Rich in metaphor. Analyzed for symbolism. Analyzed for symbolism in character arcs. Counterfeiting as a metaphor. Studied for symbolism. |
| gptkbp:thematic_element |
Explores morality.
Identity and deception. Analyzed for themes. |
| gptkbp:themes |
Themes of identity.
Analyzed for thematic depth. Themes of survival. Analyzed for cultural themes. Analyzed for historical themes. Studied for character themes. Studied for historical themes. Studied for thematic depth. Survival and ethics. Survival, morality, and deception. Themes explored through characters. |
| gptkbp:viewing_platform |
Theatrical release.
|