|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:audience
|
Critical acclaim
Cult following
Film critiques
Viewer discussions
|
|
gptkbp:awards
|
Best Director at Cannes
Best Film at Asian Film Awards
|
|
gptkbp:box_office
|
gptkb:$5_million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character_development
|
gptkb:Character_motivations
gptkb:Character_arcs
Complex characters
Character relationships
|
|
gptkbp:cinematography
|
gptkb:Jia_Zhangke
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:China
|
|
gptkbp:critical_reception
|
Positive reviews
|
|
gptkbp:cultural_impact
|
Film studies
Cinematic techniques
Cultural discussions
Influenced filmmakers
|
|
gptkbp:director
|
gptkb:Jia_Zhangke
|
|
gptkbp:distributor
|
gptkb:Cinemax
|
|
gptkbp:edited_by
|
gptkb:Jia_Zhangke
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:China
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Confidant (film)
|
|
gptkbp:influences
|
gptkb:church
gptkb:Chinese_cinema
Social realism
World cinema
|
|
gptkbp:language
|
gptkb:Mandarin
|
|
gptkbp:music_by
|
Yin Chen-chen
|
|
gptkbp:narrative_style
|
gptkb:Symbolism
gptkb:Flashbacks
Non-linear narrative
Metaphors
Multi-perspective storytelling
|
|
gptkbp:origin
|
gptkb:China
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Cinemax
gptkb:Xstream_Pictures
|
|
gptkbp:release_date
|
May 2012
|
|
gptkbp:release_format
|
Theatrical release
|
|
gptkbp:release_year
|
gptkb:2012
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jia_Zhangke
|
|
gptkbp:soundtrack
|
Original soundtrack
|
|
gptkbp:starring
|
gptkb:Zhao_Tao
gptkb:Zhang_Yi
gptkb:Jiang_Wen
gptkb:Liang_Jing
Wang Hongwei
|
|
gptkbp:themes
|
gptkb:Community_Center
gptkb:Trust
gptkb:Betrayal
gptkb:loyalty_program
|
|
gptkbp:viewing_platform
|
gptkb:Streaming_services
gptkb:Film_festivals
Home media
|
|
gptkbp:bfsParent
|
gptkb:The_Confidant
|
|
gptkbp:bfsLayer
|
4
|