|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:composer
|
gptkb:Béla_Bartók
|
|
gptkbp:critical_reception
|
widely acclaimed
considered a significant contribution to the concerto repertoire
|
|
gptkbp:cultural_significance
|
important work in 20th-century classical music
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:genre
|
gptkb:chamber_music
gptkb:orchestral_music
gptkb:Concerto_for_Orchestra
solo instrumental music
|
|
gptkbp:historical_context
|
written during the interwar period
part of Bartók's exploration of folk music
reflects modernist trends in music
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Concerto for Solo Harpsichord and Orchestra
|
|
gptkbp:influenced_artists
|
gptkb:John_Adams
gptkb:Philip_Glass
gptkb:Tōru_Takemitsu
|
|
gptkbp:influences
|
Baroque music
modern classical music
|
|
gptkbp:instrumentation
|
gptkb:orchestra
harpsichord
|
|
gptkbp:key
|
D major
|
|
gptkbp:legacy
|
influenced later composers
performed frequently in concert halls
|
|
gptkbp:movement
|
gptkb:Allegro
gptkb:Adagio
Allegro assai
|
|
gptkbp:notable_performers
|
gptkb:Murray_Perahia
gptkb:András_Schiff
gptkb:Angela_Hewitt
|
|
gptkbp:notable_recordings
|
Murray Perahia's recording
András Schiff's recording
Angela Hewitt's recording
|
|
gptkbp:performance
|
often performed by soloists with orchestral accompaniment
|
|
gptkbp:performance_venue
|
gptkb:Carnegie_Hall
gptkb:Royal_Albert_Hall
gptkb:Concertgebouw
|
|
gptkbp:premiere_date
|
1934
|
|
gptkbp:publisher
|
gptkb:Universal_Edition
|
|
gptkbp:recordings
|
gptkb:Deutsche_Grammophon
gptkb:Sony_Classical
gptkb:Hyperion_Records
|
|
gptkbp:related_works
|
gptkb:Music_for_Strings,_Percussion,_and_Celesta
gptkb:Concerto_for_Orchestra
|
|
gptkbp:style
|
gptkb:neoclassicism
|
|
gptkbp:year_composed
|
1934
|
|
gptkbp:bfsParent
|
gptkb:Philip_Glass
|
|
gptkbp:bfsLayer
|
3
|