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gptkbp:instance_of
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gptkb:artwork
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gptkbp:bfsLayer
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5
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gptkbp:bfsParent
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gptkb:Composition_with_Red,_Blue,_and_Yellow_(1937)
gptkb:Composition_with_Red,_Yellow,_Blue_and_Black
gptkb:Washington_Color_School
gptkb:Charles_Pollock
gptkb:Morris_Louis
gptkb:Composition_with_Blue_and_Green_(1930)
gptkb:The_Museum_of_Modern_Art_Copenhagen
gptkb:Composition_II_in_Red,_Blue,_and_Yellow
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gptkbp:associated_with
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abstract expressionism
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gptkbp:developed_by
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1950s
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gptkbp:exhibited_at
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gptkb:Borough
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gptkbp:exhibition
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gptkb:The_1960_Venice_Biennale
The 1959 exhibition at the Solomon R. Guggenheim Museum
The 1964 exhibition at the Jewish Museum, New York
The 1986 exhibition at the National Gallery of Art, Washington, D. C.
The 1970 exhibition at the Museum of Modern Art, New York
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https://www.w3.org/2000/01/rdf-schema#label
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The Color Field Movement
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gptkbp:influenced
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gptkb:soundtrack
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gptkbp:influenced_by
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gptkb:European_modernism
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gptkbp:is_available_in
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1970s
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gptkbp:is_characterized_by
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emphasis on color
large fields of color
minimalist compositions
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gptkbp:key
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flatness
viewer experience
emotional resonance
non-representational art
spatial illusion
artistic process
scale and proportion
canvas as an object
color as subject
light and perception
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gptkbp:legacy
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impact on minimalism
influence on installation art
influence on color theory
influence on contemporary painting
influence on color field sculpture
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gptkbp:notable_artists
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gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler
gptkb:Mark_Rothko
gptkb:Morris_Louis
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gptkbp:origin
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gptkb:United_States
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gptkbp:related_to
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gptkb:Color_Field_painting
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