Statements (42)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_movement
|
| gptkbp:associated_with |
abstract expressionism
|
| gptkbp:characterized_by |
emphasis on color
large fields of color minimalist compositions |
| gptkbp:declined_in |
1970s
|
| gptkbp:developed_by |
1950s
|
| gptkbp:exhibited_at |
gptkb:New_York_City
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Color Field Movement
|
| gptkbp:influenced |
gptkb:contemporary_art
|
| gptkbp:influenced_by |
gptkb:European_modernism
|
| gptkbp:key_concept |
flatness
viewer experience emotional resonance non-representational art spatial illusion artistic process scale and proportion canvas as an object color as subject light and perception |
| gptkbp:legacy |
impact on minimalism
influence on installation art influence on color theory influence on contemporary painting influence on color field sculpture |
| gptkbp:notable_artists |
gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler gptkb:Mark_Rothko gptkb:Morris_Louis |
| gptkbp:notable_exhibitions |
gptkb:The_1960_Venice_Biennale
The 1959 exhibition at the Solomon R. Guggenheim Museum The 1964 exhibition at the Jewish Museum, New York The 1986 exhibition at the National Gallery of Art, Washington, D. C. The 1970 exhibition at the Museum of Modern Art, New York |
| gptkbp:originated_in |
gptkb:United_States
|
| gptkbp:related_to |
gptkb:Color_Field_painting
|
| gptkbp:bfsParent |
gptkb:Washington_Color_School
gptkb:Charles_Pollock gptkb:Morris_Louis gptkb:The_Museum_of_Modern_Art_Copenhagen |
| gptkbp:bfsLayer |
5
|