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gptkbp:instanceOf
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band
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|
gptkbp:associatedAct
|
gptkb:Joe_Strummer_and_the_Mescaleros
gptkb:The_Mescaleros
gptkb:Mick_Jones
Big Audio Dynamite
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gptkbp:associatedWith
|
Social activism
Multicultural influences
Anti-establishment themes
Punk subculture
|
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gptkbp:awards
|
gptkb:Rock_and_Roll_Hall_of_Fame
NME Awards
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|
gptkbp:culturalImpact
|
Diverse musical styles
Political lyrics
Legacy in music history
Iconic punk band
|
|
gptkbp:disbanded
|
1986
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|
gptkbp:famousFor
|
Live performances
Political activism
Innovative sound
Crossover appeal
|
|
gptkbp:finalDisposal
|
1984
|
|
gptkbp:formed
|
1976
|
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gptkbp:genre
|
reggae
rock
punk rock
post-punk
|
|
gptkbp:hitSingle
|
gptkb:London_Calling
Rock the Casbah
Should I Stay or Should I Go
Train in Vain
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Clash
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gptkbp:influenced
|
Green Day
Rancid
The Offspring
Bad Religion
|
|
gptkbp:influencedBy
|
gptkb:Bob_Dylan
The Ramones
The Sex Pistols
Reggae_music
|
|
gptkbp:members
|
gptkb:Joe_Strummer
gptkb:Paul_Simonon
gptkb:Mick_Jones
Topper Headon
|
|
gptkbp:notableFeature
|
gptkb:The_Clash
gptkb:Combat_Rock
gptkb:London_Calling
Sandinista!
Give 'Em Enough Rope
|
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gptkbp:origin
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gptkb:London,_England
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gptkbp:recordLabel
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gptkb:Epic_Records
gptkb:CBS_Records
Sony_Music
|
|
gptkbp:sequel
|
Cut the Crap
|
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gptkbp:website
|
theclash.com
|