gptkbp:instance_of
|
gptkb:film
|
gptkbp:aspect_ratio
|
1.37:1
|
gptkbp:based_on
|
The Blue Room (play)
|
gptkbp:box_office
|
gptkb:Unknown
|
gptkbp:character
|
gptkb:The_Wife
gptkb:Catherine
gptkb:The_Friend
gptkb:The_Narrator
gptkb:The_Stranger
gptkb:The_Lover
gptkb:The_Witness
gptkb:The_Husband
Antoine
The Ex-lover
|
gptkbp:character_development
|
Complex characters
|
gptkbp:cinematography_by
|
gptkb:Nicolas_Roeg
|
gptkbp:color
|
gptkb:Black_and_White
|
gptkbp:country
|
gptkb:France
|
gptkbp:critical_reception
|
Mixed reviews
|
gptkbp:cultural_impact
|
gptkb:Significant
|
gptkbp:directed_by
|
gptkb:Éric_Rohmer
|
gptkbp:distributor
|
gptkb:Les_Films_du_Carrosse
|
gptkbp:edited_by
|
gptkb:Cécile_Decugis
|
gptkbp:film_series
|
gptkb:None
|
gptkbp:filming_location
|
gptkb:France
|
gptkbp:follows
|
gptkb:The_Sign_of_Leo
|
gptkbp:genre
|
gptkb:drama
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Blue Room (1950)
|
gptkbp:influenced
|
gptkb:French_New_Wave
Modern cinema
|
gptkbp:influenced_by
|
gptkb:Henri-Pierre_Roché
|
gptkbp:inspired_by
|
gptkb:theater
gptkb:literature
|
gptkbp:language
|
gptkb:French
|
gptkbp:language_spoken
|
Philosophical
|
gptkbp:music_by
|
gptkb:Joseph_Kosma
|
gptkbp:narrative_style
|
Non-linear
|
gptkbp:notable_awards
|
gptkb:None
|
gptkbp:precedes
|
The Marquise of O.
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
gptkbp:production_company
|
gptkb:Les_Films_du_Carrosse
|
gptkbp:release_date
|
1950
|
gptkbp:remake
|
gptkb:None
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
gptkb:Éric_Rohmer
|
gptkbp:set_in
|
gptkb:Paris
|
gptkbp:starring
|
gptkb:Jean-Claude_Brialy
gptkb:Marie-José_Nat
|
gptkbp:themes
|
gptkb:Love
gptkb:Betrayal
Infidelity
Jealousy
|
gptkbp:viewing_format
|
Theatrical release
|
gptkbp:bfsParent
|
gptkb:Edward_Burra
|
gptkbp:bfsLayer
|
5
|