gptkbp:instance_of
|
gptkb:painting
|
gptkbp:art_movement
|
gptkb:Suprematism
|
gptkbp:associated_with
|
gptkb:Russian_avant-garde
|
gptkbp:collection
|
gptkb:Tretyakov_Gallery
gptkb:the_State_Tretyakov_Gallery
|
gptkbp:color
|
gptkb:black
|
gptkbp:constructed_in
|
gptkb:the_Russian_Revolution
|
gptkbp:created_by
|
gptkb:Kazimir_Malevich
gptkb:Russia
|
gptkbp:cultural_impact
|
influenced modern art movements
|
gptkbp:depicts
|
a black square
|
gptkbp:dimensions
|
79.5 cm × 79.5 cm
|
gptkbp:exhibited_at
|
The Last Futurist Exhibition of Paintings 0.10
various international exhibitions
other Suprematist works
the 0.10 exhibition
|
gptkbp:exhibition_year
|
1915
|
gptkbp:has_reception
|
controversial
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Black Square (1925)
|
gptkbp:influenced
|
minimalism
|
gptkbp:influenced_by
|
gptkb:Cubism
|
gptkbp:inspired_by
|
philosophy of Suprematism
|
gptkbp:is_acclaimed_for
|
its innovation
|
gptkbp:is_aimed_at
|
challenging perceptions of art
|
gptkbp:is_analyzed_in
|
gptkb:art_critics
|
gptkbp:is_associated_with
|
Kazimir Malevich's theories
|
gptkbp:is_cited_in
|
art history texts
|
gptkbp:is_considered
|
a landmark in art history
|
gptkbp:is_considered_as
|
a manifesto of abstraction
|
gptkbp:is_considered_to_be
|
a radical departure from realism
|
gptkbp:is_criticized_for
|
its simplicity
|
gptkbp:is_designed_to
|
evoke thought
|
gptkbp:is_displayed_in
|
permanent collection
|
gptkbp:is_influential_in
|
art education
|
gptkbp:is_noted_for
|
its starkness
|
gptkbp:is_often_discussed_in
|
art theory
|
gptkbp:is_part_of
|
the collection of the State Tretyakov Gallery
|
gptkbp:is_recognized_as
|
a key work in modern art
|
gptkbp:is_referenced_in
|
art literature
|
gptkbp:is_regarded_as
|
one of the first abstract paintings
|
gptkbp:is_subject_to
|
interpretation
|
gptkbp:is_symbolic_of
|
the avant-garde movement
|
gptkbp:is_used_for
|
a reference point in discussions of abstraction
|
gptkbp:language_spoken
|
the nature of art
|
gptkbp:location
|
gptkb:State_Tretyakov_Gallery
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
gptkbp:notable_feature
|
geometric simplicity
|
gptkbp:part_of
|
Suprematist works
|
gptkbp:reign
|
its time period
|
gptkbp:represents
|
the rejection of traditional art
|
gptkbp:significance
|
pioneering work in abstract art
|
gptkbp:style
|
abstract art
|
gptkbp:symbolizes
|
the void
|
gptkbp:technique
|
flat color application
|
gptkbp:was_akey_figure_in
|
Suprematist art.
|
gptkbp:was_influenced_by
|
the socio-political context of its time
|
gptkbp:was_part_of
|
the 1915 exhibition
|
gptkbp:year_created
|
1925
|
gptkbp:bfsParent
|
gptkb:Kazimir_Malevich
|
gptkbp:bfsLayer
|
4
|