Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:film
stage productions |
| gptkbp:critical_reception |
well-received
|
| gptkbp:cultural_significance |
promotes cultural awareness
addresses social issues explores themes of belonging challenges stereotypes explores the theme of sacrifice explores the concept of home advocates for social change explores post-colonial identity highlights the importance of storytelling highlights the importance of community examines family dynamics examines the role of education addresses issues of migration depicts the struggle for justice examines the impact of colonialism depicts the struggle for independence explores the theme of resilience celebrates African culture depicts rural life in Kenya depicts the effects of urbanization depicts the quest for self-discovery encourages dialogue on identity examines the clash of traditions examines the role of spirituality highlights generational conflict reflects on heritage reflects on the impact of globalization reflects on the role of women examines the relationship between tradition and modernity |
| gptkbp:first_performance |
gptkb:1968
|
| gptkbp:genre |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Black Hermit
|
| gptkbp:influences |
African literature
post-colonial literature |
| gptkbp:inspired_by |
African traditions
African history |
| gptkbp:language |
English
|
| gptkbp:main_character |
Ababio
|
| gptkbp:notable_character |
gptkb:Jumba
Aunt Kezia Wamala Dr. Kilonzo |
| gptkbp:performance |
modern theatre
traditional African theatre |
| gptkbp:published_by |
gptkb:1970
Heinemann |
| gptkbp:setting |
gptkb:Kenya
|
| gptkbp:themes |
gptkb:TV_series
gptkb:Monarch gptkb:military_conflict |
| gptkbp:written_by |
gptkb:Ngugi_wa_Thiong'o
|
| gptkbp:bfsParent |
gptkb:Ngugi_wa_Thiong'o
|
| gptkbp:bfsLayer |
3
|