|
gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:none
not adapted into film
|
|
gptkbp:author
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gptkb:Michael_Moorcock
|
|
gptkbp:available_formats
|
ebook
hardcover
paperback
|
|
gptkbp:character_arc
|
gptkb:transformation
|
|
gptkbp:character_development
|
psychological
|
|
gptkbp:character_motivation
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gptkb:survival
redemption
self-discovery
|
|
gptkbp:character_relationships
|
gptkb:complex
ethical questions
personal sacrifice
moral choices
|
|
gptkbp:conflict
|
internal conflict
ambiguous ending
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:cultural_influence
|
inspired art
inspired fashion
inspired music
|
|
gptkbp:followed_by
|
gptkb:The_Dancers_at_the_End_of_Time
|
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gptkbp:genre
|
gptkb:science_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Black Corridor
|
|
gptkbp:influenced
|
later science fiction authors
|
|
gptkbp:influenced_by
|
existential philosophy
|
|
gptkbp:influences
|
gptkb:Philip_K._Dick
cyberpunk genre
|
|
gptkbp:inspired_by
|
the works of H. G. Wells
|
|
gptkbp:isbn
|
978-0-85031-200-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
part of the New Wave movement
|
|
gptkbp:main_character
|
J. M. M. D. M.
|
|
gptkbp:motif
|
gptkb:dreams
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
|
|
gptkbp:page_count
|
192
|
|
gptkbp:plot
|
explores the psychological effects of space travel.
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:published_in
|
gptkb:1970
|
|
gptkbp:publisher
|
gptkb:Allison_&_Busby
|
|
gptkbp:reader_demographic
|
challenging
rewarding
thought-provoking
|
|
gptkbp:setting
|
gptkb:space
futuristic
|
|
gptkbp:style
|
experimental
|
|
gptkbp:symbolism
|
the corridor itself
|
|
gptkbp:thematic_element
|
gptkb:humanity
gptkb:technology
alienation
|
|
gptkbp:theme
|
isolation
|
|
gptkbp:themes
|
gptkb:identity
reality
existence
|
|
gptkbp:writing_style
|
lyrical
|
|
gptkbp:bfsParent
|
gptkb:Michael_Moorcock
|
|
gptkbp:bfsLayer
|
4
|