|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:action
|
two acts
|
|
gptkbp:adaptations
|
gptkb:films
musicals
|
|
gptkbp:based_on
|
The Barber of Seville (opera)
|
|
gptkbp:composer
|
gptkb:Gioachino_Rossini
|
|
gptkbp:cultural_impact
|
inspired other works
|
|
gptkbp:cultural_significance
|
iconic in opera repertoire
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:first_performance
|
1816
|
|
gptkbp:genre
|
gptkb:opera
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Barber of Seville (arrangement)
|
|
gptkbp:influence
|
comic opera
|
|
gptkbp:influenced
|
gptkb:musical_theatre
modern operatic works
|
|
gptkbp:inspired
|
gptkb:The_Barber_of_Seville_(film)
The Barber of Seville (musical)
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:librettist
|
gptkb:Cesare_Sterbini
|
|
gptkbp:notable_aria
|
gptkb:Largo_al_factotum
|
|
gptkbp:notable_character
|
gptkb:Dr._Bartolo
gptkb:Figaro
gptkb:Count_Almaviva
gptkb:Rosina
|
|
gptkbp:notable_collaborations
|
Dunque io son
Io sono docile
A un dottor della mia sorte
|
|
gptkbp:notable_collection
|
finale of Act 2
finale of Act 1
|
|
gptkbp:notable_recordings
|
Zubin Mehta conducting
Leopold Stokowski conducting
Herbert von Karajan conducting
Riccardo Muti conducting
Carlo Maria Giulini conducting
|
|
gptkbp:orchestration
|
full orchestra
|
|
gptkbp:performance_tradition
|
classical music
|
|
gptkbp:performed_by
|
many opera companies
many choirs
many orchestras
many soloists
|
|
gptkbp:setting
|
gptkb:Seville,_Spain
|
|
gptkbp:thematic_element
|
love and deception
|
|
gptkbp:venue
|
gptkb:Teatro_di_Torre_Argentina
|
|
gptkbp:bfsParent
|
gptkb:Ernst_Toch
|
|
gptkbp:bfsLayer
|
6
|