Statements (53)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:play
|
gptkbp:adaptation |
The Bacchae (1970 film)
The Bacchae (2010 film) |
gptkbp:author |
gptkb:Euripides
|
gptkbp:character |
gptkb:Tiresias
gptkb:Cadmus gptkb:star Singers of Dionysus |
gptkbp:critical_reception |
Analyzed for its psychological depth.
Examined for its tragic elements. Considered a commentary on societal norms. Praised for its lyrical language. Regarded as one of Euripides' masterpieces. |
gptkbp:cultural_significance |
Explores themes of identity.
Addresses the role of women in society. Examines the nature of divinity. Influences modern interpretations of madness. Reflects ancient Greek beliefs. |
gptkbp:first_performance |
405 BC
|
gptkbp:genre |
gptkb:earthquake
|
https://www.w3.org/2000/01/rdf-schema#label |
The Bacchae of Euripides
|
gptkbp:influence |
gptkb:theatre
gptkb:psychologist Western literature |
gptkbp:language |
gptkb:City
|
gptkbp:legacy |
Continues to be relevant in discussions of gender.
Influenced modern theater. Inspires contemporary adaptations. Serves as a source for psychological studies. Contributes to the understanding of ancient rituals. |
gptkbp:main_character |
gptkb:Pentheus
gptkb:deity |
gptkbp:notable_performance |
Frequently performed in theaters.
Studied in academic settings. Part of classical theater repertoire. Adapted into various operas. Used in drama schools. |
gptkbp:notable_quote |
“ I am a god, and I will be honored.”
“ You must learn to respect the gods.” “ The man who is not afraid of the gods is a fool.” |
gptkbp:plot |
The play explores the conflict between reason and emotion.
Agave kills her son Pentheus. Dionysus leads the women into a frenzied state. Dionysus seeks revenge on Pentheus. Pentheus refuses to acknowledge Dionysus as a god. The consequences of denying the divine. The women of Thebes become followers of Dionysus. |
gptkbp:setting |
gptkb:Thebes
|
gptkbp:theme |
gptkb:revenge
gender roles divine madness |
gptkbp:bfsParent |
gptkb:Agamemnon
|
gptkbp:bfsLayer |
4
|