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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Ralph_Fiennes
gptkb:Peter_Greenaway
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gptkbp:art_style
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stylized
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gptkbp:awards
|
Best Director at Cannes
nominated for Best Director
nominated for Best Art Direction
nominated for Best Costume Design
won Best Cinematography
nominated for Best Music Score
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gptkbp:based_on
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a play by Peter Greenaway
play by Peter Greenaway
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gptkbp:box_office
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$1.5 million
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gptkbp:cast
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gptkb:Ralph_Fiennes
gptkb:Julia_Ormond
gptkb:Amanda_Plummer
gptkb:John_Hurt
gptkb:David_Thewlis
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|
gptkbp:character
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gptkb:the_Doctor
gptkb:The_Father
gptkb:The_Mother
gptkb:The_Narrator
gptkb:the_Narrator
gptkb:The_Doctor
gptkb:The_Mayor
gptkb:The_Priest
the Mayor
The Midwife
The Townsfolk
The Baby
the Townspeople
the Father
the Priest
the Mother
the Baby
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gptkbp:cinematography
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gptkb:Sacha_Vierny
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gptkbp:color
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gptkb:color
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|
gptkbp:composer
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gptkb:Michael_Nyman
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|
gptkbp:country
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gptkb:Monarch
gptkb:United_Kingdom
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|
gptkbp:critical_reception
|
mixed reviews
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|
gptkbp:cultural_impact
|
cult following
influenced filmmakers
discussed in film studies
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|
gptkbp:directed_by
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gptkb:Peter_Greenaway
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gptkbp:director
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gptkb:Peter_Greenaway
|
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gptkbp:distributor
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gptkb:Cinemavault
gptkb:Koch_Lorber_Films
|
|
gptkbp:edited_by
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gptkb:John_Wilson
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|
gptkbp:editor
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gptkb:John_Wilson
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
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gptkb:Mâcon,_France
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|
gptkbp:filmography
|
gptkb:literary_work
symbolism
long takes
tableaux vivants
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|
gptkbp:follows
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gptkb:The_Cook,_the_Thief,_His_Wife_&_Her_Lover
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gptkbp:genre
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gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Baby of Mâcon
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gptkbp:influenced_by
|
gptkb:painting
gptkb:theatre
gptkb:Futurism
gptkb:postmodernism
gptkb:Artist
gptkb:Italian_Renaissance
gptkb:absurdism
gptkb:theatre_of_the_absurd
expressionism
surrealism
the works of Antonin Artaud
the works of Eugène Ionesco
the works of Samuel Beckett
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|
gptkbp:influences
|
gptkb:painting
gptkb:theatre
gptkb:Italian_Renaissance
|
|
gptkbp:language
|
English
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|
gptkbp:music_by
|
gptkb:Michael_Nyman
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|
gptkbp:narrative_style
|
non-linear
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|
gptkbp:narrative_theme
|
social commentary
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|
gptkbp:notable_appearance
|
the market scene
the final scene
the trial scene
the birth scene
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|
gptkbp:notable_quote
|
" The baby is a miracle."
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|
gptkbp:precedes
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gptkb:8½_Women
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Koch_Lorber_Films
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Losange
gptkb:Greenaway_Productions
|
|
gptkbp:release_date
|
May 1993
|
|
gptkbp:release_year
|
gptkb:1993
|
|
gptkbp:released_in
|
gptkb:1993
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Peter_Greenaway
|
|
gptkbp:set_in
|
gptkb:Mâcon
|
|
gptkbp:setting
|
gptkb:Mâcon,_France
|
|
gptkbp:starring
|
gptkb:Ralph_Fiennes
gptkb:Rachel_Weisz
gptkb:Julia_Ormond
gptkb:John_Hurt
gptkb:David_Thewlis
|
|
gptkbp:theme
|
social commentary
|
|
gptkbp:themes
|
gptkb:philosopher
gptkb:political_movement
morality
life and death
gender roles
socio-political commentary
human condition
|