The Amazing Spider-Man #152
GPTKB entity
Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Comic Book
|
| gptkbp:artist |
Ross Andru
|
| gptkbp:character |
The Shocker
|
| gptkbp:characterAppearance |
gptkb:Flash_Thompson
gptkb:Gwen_Stacy gptkb:Mary_Jane_Watson gptkb:Harry_Osborn gptkb:J._Jonah_Jameson |
| gptkbp:colors |
gptkb:John_Romita_Sr.
|
| gptkbp:covers |
gptkb:Gil_Kane
|
| gptkbp:editor |
gptkb:Roy_Thomas
|
| gptkbp:followedBy |
gptkb:The_Amazing_Spider-Man_#153
|
| gptkbp:format |
Print
|
| gptkbp:genre |
Superhero
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Amazing Spider-Man #152
|
| gptkbp:ISBN |
0-7851-0300-0
|
| gptkbp:issueNumber |
152
|
| gptkbp:language |
English
|
| gptkbp:mainCharacter |
gptkb:Spider-Man
|
| gptkbp:notableEvent |
The role of supporting characters
The historical context of the comic book industry in the 1970s The exploration of heroism and sacrifice The fan reception of the issue The themes of responsibility and power The influence of the comic on later media adaptations Gwen_Stacy's_influence_on_Peter_Parker Peter's_relationship_with_Mary_Jane Peter_Parker's_personal_struggles Spider-Man_fights_The_Shocker The_Shocker's_criminal_activities The_art_style_of_Ross_Andru The_cultural_impact_of_Spider-Man The_evolution_of_Spider-Man's_character The_impact_of_Gwen's_death_on_Peter The_legacy_of_The_Amazing_Spider-Man_series The_portrayal_of_New_York_City The_significance_of_the_Shocker_as_a_villain |
| gptkbp:pageCount |
36
|
| gptkbp:precededBy |
gptkb:The_Amazing_Spider-Man_#151
|
| gptkbp:publishedBy |
gptkb:Marvel_Comics
|
| gptkbp:releaseDate |
1976-06-01
|
| gptkbp:series |
gptkb:The_Amazing_Spider-Man
|
| gptkbp:setting |
gptkb:New_York_City
|
| gptkbp:storyArc |
gptkb:The_Night_Gwen_Stacy_Died
|
| gptkbp:wrote |
gptkb:Gerry_Conway
|