Statements (48)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:art_exhibition
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Lee_Ufan
|
gptkbp:art_movement |
gptkb:art_installation
gptkb:artwork Conceptual art Postmodern art |
gptkbp:attendance |
Over 200,000 visitors
|
gptkbp:awards |
gptkb:Silver_Lion_for_Best_Artist
gptkb:Golden_Lion_for_Best_National_Participation Special Mention Award |
gptkbp:cultural_significance |
Marked a shift towards contemporary art.
|
gptkbp:curator |
gptkb:Giorgio_Morandi
|
gptkbp:exhibition |
gptkb:Arsenale
gptkb:Giardini 6 months International Art Exhibition |
gptkbp:historical_context |
Engagement with social issues.
Emergence of new artistic practices. Part of a long tradition of Biennales. Reflected the political climate of the 1970s. Response to the counterculture movement. |
https://www.w3.org/2000/01/rdf-schema#label |
The 1970 Venice Biennale
|
gptkbp:impact |
Influenced future Biennales.
|
gptkbp:is_featured_in |
' Bed' by Robert Rauschenberg
' Cut Piece' by Yoko Ono ' Rhythm 0' by Marina Abramović ' The World as a Place of Work' by Alighiero Boetti ' I Like America and America Likes Me' by Joseph Beuys |
gptkbp:legacy |
Continues to influence contemporary art exhibitions.
Highlighted the role of the artist in society. Promoted the importance of performance art. Set a precedent for future Biennales. Encouraged international collaboration in the arts. |
gptkbp:location |
gptkb:Venice,_Italy
|
gptkbp:media_coverage |
Extensive international media coverage.
|
gptkbp:notable_members |
gptkb:Joseph_Beuys
gptkb:Marina_Abramović gptkb:Yoko_Ono gptkb:Robert_Rauschenberg gptkb:Alighiero_Boetti |
gptkbp:organizer |
gptkb:La_Biennale_di_Venezia
|
gptkbp:preceded_by |
gptkb:1968_Venice_Biennale
|
gptkbp:significant_event |
Focus on political and social issues.
First time the Biennale included a section for performance art. |
gptkbp:succeeded_by |
gptkb:1972_Venice_Biennale
|
gptkbp:theme |
The Individual and the Collective
|
gptkbp:year |
gptkb:1970
|