Symphony No. 1 ' Jeremiah'
GPTKB entity
Statements (63)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:symphony
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:available_formats |
CD, vinyl, digital
|
| gptkbp:available_on |
gptkb:streaming_platforms
|
| gptkbp:composer |
gptkb:Bernstein
|
| gptkbp:critical_reception |
generally positive reviews
generally well-received by critics |
| gptkbp:cultural_impact |
significant in American music history
|
| gptkbp:cultural_significance |
explores themes of loss and identity
reflects Jewish-American identity |
| gptkbp:dedication |
to the memory of the composer’s father
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:educational_use |
studied in music programs
|
| gptkbp:film_technique |
used in various film scores
|
| gptkbp:historical_context |
written during World War II
|
| https://www.w3.org/2000/01/rdf-schema#label |
Symphony No. 1 ' Jeremiah'
|
| gptkbp:influenced_artists |
inspired future generations of composers
|
| gptkbp:influenced_by |
American folk music
European classical traditions Jewish liturgical music American classical music traditions |
| gptkbp:influences |
Jewish liturgical music
Jewish themes |
| gptkbp:inspiration |
gptkb:the_Book_of_Lamentations
|
| gptkbp:music_style |
gptkb:symphony
uses counterpoint and orchestral color |
| gptkbp:musical_elements |
uses dissonance and complex rhythms
|
| gptkbp:notable_awards |
received accolades in classical music circles
|
| gptkbp:notable_collaborators |
collaborated with various lyricists
|
| gptkbp:notable_conductors |
gptkb:Bernstein
Leonard Bernstein, Michael Tilson Thomas |
| gptkbp:notable_features |
baritone solo
|
| gptkbp:notable_performances |
gptkb:New_York_Philharmonic
|
| gptkbp:notable_performers |
featured in prominent music series.
|
| gptkbp:notable_recordings |
conducted by various renowned conductors
|
| gptkbp:number_of_movements |
gptkb:3
|
| gptkbp:orchestration |
full orchestra
orchestra and solo mezzo-soprano |
| gptkbp:performance |
performed regularly since its premiere
|
| gptkbp:performance_tradition |
performed in concert halls worldwide
|
| gptkbp:performed_at |
major music festivals
|
| gptkbp:performed_by |
symphony orchestras worldwide
various orchestras globally |
| gptkbp:performed_in |
gptkb:educational_institutions
concerts and recitals |
| gptkbp:performers |
performed by major orchestras worldwide
featured prominent mezzo-sopranos |
| gptkbp:premiere_date |
gptkb:1944
|
| gptkbp:premiere_location |
gptkb:Brandeis_University
|
| gptkbp:record_label |
gptkb:Columbia_Records
|
| gptkbp:recordings |
multiple recordings available
|
| gptkbp:related_works |
gptkb:Symphony_No._2_'_The_Age_of_Anxiety'
Bernstein's other symphonies |
| gptkbp:second_movement |
gptkb:Lamentation
gptkb:prophecy Profanation |
| gptkbp:significance |
first symphony by Bernstein
|
| gptkbp:style |
20th-century classical music
|
| gptkbp:text |
text by Charles Ives
|
| gptkbp:thematic_element |
explores themes of despair and hope
|
| gptkbp:theme |
explores themes of faith and resilience
|
| gptkbp:bfsParent |
gptkb:Bernstein
|
| gptkbp:bfsLayer |
3
|