Statements (61)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:String_Quartet
|
gptkbp:analysis |
Analyzed in musicology studies
|
gptkbp:arrangements |
Arranged for various ensembles
|
gptkbp:artistic_influence |
Influenced by earlier composers like Beethoven
|
gptkbp:artistic_innovation |
Innovative use of traditional forms
|
gptkbp:composer |
gptkb:Dmitri_Shostakovich
|
gptkbp:critical_reception |
Highly regarded by music critics
|
gptkbp:cultural_impact |
Significant in Russian music history
|
gptkbp:cultural_significance |
Reflects post-war sentiments
Represents the struggles of the Soviet era |
gptkbp:dedicated_to |
The victims of World War II
|
gptkbp:dedication |
To the memory of the victims of fascism
|
gptkbp:duration |
approximately 30 minutes
|
gptkbp:educational_use |
Studied in music conservatories
|
gptkbp:features_song |
Melancholic and introspective themes
|
gptkbp:historical_context |
Composed during the Soviet era
|
gptkbp:historical_impact |
Reflects the impact of World War II on society
|
gptkbp:historical_legacy |
Continues to influence modern composers.
|
gptkbp:historical_significance |
Important work in Shostakovich's oeuvre
|
https://www.w3.org/2000/01/rdf-schema#label |
String Quartet in B minor
|
gptkbp:impact |
Evokes strong emotional responses
|
gptkbp:influenced_artists |
Influenced later composers of string quartets
|
gptkbp:influenced_by |
Shostakovich's personal experiences
|
gptkbp:influences |
Russian folk music
Influenced contemporary string quartets |
gptkbp:inspiration |
Shostakovich's life events
|
gptkbp:key |
B minor
|
gptkbp:legacy |
Part of Shostakovich's chamber music repertoire
|
gptkbp:music_composer |
gptkb:Dmitri_Shostakovich
|
gptkbp:music_style |
Complex interplay between instruments
Use of dissonance Subject of numerous academic papers Sonata form in first movement Complex harmonies and rhythms |
gptkbp:notable_collaborations |
Collaborated with various musicians for performances
|
gptkbp:notable_performances |
gptkb:Borodin_Quartet
|
gptkbp:notable_performers |
Performed by the Takács Quartet
|
gptkbp:notable_quote |
Frequently quoted in music literature
|
gptkbp:notable_recordings |
Performed by the Emerson String Quartet
|
gptkbp:number_of_movements |
gptkb:5
|
gptkbp:opus_number |
Posthumous
|
gptkbp:performance |
Commonly performed in concert halls
Performed in major music festivals |
gptkbp:performance_tradition |
Part of the string quartet repertoire
|
gptkbp:performed_by |
Various string quartets worldwide
|
gptkbp:performed_in |
gptkb:String_Quartet
|
gptkbp:premiere_date |
gptkb:1961
|
gptkbp:premiere_location |
gptkb:Moscow
|
gptkbp:published_by |
gptkb:DSCH_Publishers
|
gptkbp:record_label |
gptkb:Melodiya
|
gptkbp:recordings |
Available on various classical music labels
|
gptkbp:second_movement |
gptkb:Allegretto
gptkb:Allegro gptkb:Largo gptkb:Poco_Allegretto |
gptkbp:structure |
Traditional four-movement form
|
gptkbp:style |
Modern classical
|
gptkbp:theme |
Isolation and despair
|
gptkbp:year_composed |
gptkb:1960
|
gptkbp:bfsParent |
gptkb:Hugo_Wolf
|
gptkbp:bfsLayer |
5
|