Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:String_Quartet
|
| gptkbp:characteristic |
use of counterpoint
|
| gptkbp:composer |
gptkb:Joseph_Haydn
|
| gptkbp:dedication |
To the Empress Maria Theresa
|
| gptkbp:duration |
approximately 25 minutes
|
| gptkbp:first_performance |
1792
|
| https://www.w3.org/2000/01/rdf-schema#label |
String Quartet Op. 33 No. 4
|
| gptkbp:influenced |
the development of the string quartet genre
|
| gptkbp:influenced_by |
Classical music
|
| gptkbp:inspired |
later composers
|
| gptkbp:involved_forces |
two violins, viola, cello
|
| gptkbp:is_considered_as |
one of Haydn's best quartets
|
| gptkbp:is_often_used_in |
in concert settings
|
| gptkbp:key |
E-flat major
|
| gptkbp:movement |
gptkb:Allegro
gptkb:Adagio Finale: Allegro Scherzo: Allegretto |
| gptkbp:notable_for |
its humor and wit
|
| gptkbp:notable_recordings |
by the Alban Berg Quartet
by the Emerson String Quartet by the Hagen Quartet by the Borodin Quartet by the St. Lawrence String Quartet by the Artemis Quartet by the Belcea Quartet by the Dover Quartet by the Escher String Quartet by the Pacifica Quartet by the Kronos Quartet by the Miro Quartet by the Ying Quartet by the Juilliard String Quartet by the Afiara Quartet by the Prazak Quartet by the Quatuor Diotima by the Quatuor Van Kuijk by the Tokyo String Quartet by the Cavatina Duo by the Quatuor Ébène by the Takács Quartet by the London Haydn Quartet by the Carducci Quartet by the Danel Quartet by the New Zealand String Quartet by the Quatuor Mosaiques by the Smetana Quartet |
| gptkbp:opus_number |
gptkb:33
|
| gptkbp:part_of |
gptkb:String_Quartet_Op._33
|
| gptkbp:published |
1794
|
| gptkbp:published_by |
Artaria
|
| gptkbp:recorded_by |
many string quartets
|
| gptkbp:repertoire |
gptkb:chamber_music
|
| gptkbp:style |
Classical
|
| gptkbp:year_composed |
1792
|
| gptkbp:bfsParent |
gptkb:Haydn's_String_Quartets
|
| gptkbp:bfsLayer |
5
|