String Quartet No. 5, Op. 23
GPTKB entity
Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:String_Quartet
|
| gptkbp:arrangements |
For string orchestra
|
| gptkbp:artistic_influence |
Impact on contemporary composers
|
| gptkbp:awards |
Grammy Award nominations
|
| gptkbp:characteristics |
Contrasting moods
|
| gptkbp:collaborations |
With renowned conductors
With various quartets |
| gptkbp:composer |
gptkb:Dmitri_Shostakovich
|
| gptkbp:critical_reception |
Generally positive
|
| gptkbp:cultural_impact |
Symbol of resilience
|
| gptkbp:cultural_significance |
Significant in Russian music history
Reflects the political climate of the time |
| gptkbp:dedication |
To the memory of the victims of the Great Terror
|
| gptkbp:duration |
approximately 25 minutes
|
| gptkbp:filming_location |
gptkb:Leningrad
|
| gptkbp:historical_context |
Post-Stalin era
Various interpretations by quartets |
| https://www.w3.org/2000/01/rdf-schema#label |
String Quartet No. 5, Op. 23
|
| gptkbp:influenced_artists |
gptkb:orchestra
gptkb:Arvo_Pärt |
| gptkbp:influenced_by |
Western classical music
Soviet music traditions |
| gptkbp:influences |
Russian folk music
|
| gptkbp:innovation |
Innovative use of string techniques
|
| gptkbp:inspiration |
Personal experiences of the composer
|
| gptkbp:involved_forces |
two violins, viola, cello
|
| gptkbp:is_a_venue_for |
Concert halls worldwide
|
| gptkbp:key |
F major
|
| gptkbp:legacy |
Influential in the string quartet repertoire
|
| gptkbp:movement |
gptkb:Allegretto
gptkb:Allegro gptkb:4 gptkb:Adagio |
| gptkbp:music_style |
gptkb:String_Quartet
Complex harmonies Use of dissonance Four movements with varied tempos |
| gptkbp:next_edition |
Urtext edition
|
| gptkbp:notable_conductors |
gptkb:Bernstein
|
| gptkbp:notable_performance |
Often performed in festivals
Performed at major music festivals Performed by the St. Petersburg Quartet |
| gptkbp:notable_performers |
gptkb:Emerson_String_Quartet
|
| gptkbp:notable_recordings |
gptkb:Borodin_Quartet
Performed by the Tokyo String Quartet |
| gptkbp:partnerships |
Commissioned by the Moscow String Quartet
|
| gptkbp:performance |
Varied interpretations
Performed during the Cold War |
| gptkbp:premiere |
1953
|
| gptkbp:publisher |
gptkb:DSCH_Publishing
|
| gptkbp:record_label |
gptkb:Melodiya
|
| gptkbp:related_works |
String Quartet No. 4, Op. 83
|
| gptkbp:style |
Modern classical
|
| gptkbp:symbolism |
Represents Soviet artistic expression
|
| gptkbp:thematic_element |
Contrapuntal techniques
|
| gptkbp:theme |
Isolation and despair
|
| gptkbp:year_composed |
gptkb:1952
|
| gptkbp:bfsParent |
gptkb:the_Second_Viennese_School
|
| gptkbp:bfsLayer |
5
|