Properties (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
|
| gptkbp:associatedWith |
gptkb:Soviet_Union
|
| gptkbp:characterizedBy |
juxtaposition of images
|
| gptkbp:criticism |
overly didactic
emphasis on form over content lack of continuity |
| gptkbp:developedBy |
Soviet_filmmakers
|
| gptkbp:emphasizes |
social issues
emotional response political messages |
| gptkbp:historicalContext |
1920s Soviet cinema
|
| https://www.w3.org/2000/01/rdf-schema#label |
Soviet Montage
|
| gptkbp:impact |
modern cinema
|
| gptkbp:influenced |
gptkb:French_New_Wave
documentary filmmaking American_avant-garde_cinema |
| gptkbp:influencedBy |
Marxist_theory
|
| gptkbp:legacy |
influential in film theory
influential in editing practices influential in narrative structure |
| gptkbp:notableFeature |
gptkb:Vsevolod_Pudovkin
gptkb:Sergei_Eisenstein Dziga Vertov |
| gptkbp:notableFilm |
gptkb:Earth
gptkb:The_End_of_St._Petersburg gptkb:Storm_Over_Asia gptkb:The_House_on_Trubnaya_Street October The Mother The Battleship Potemkin The Great Citizen The Fall of the Romanov Dynasty The New Babylon The Man with a Movie Camera A Sixth Part of the World The_General_Line |
| gptkbp:relatedTo |
Constructivism
Formalism Avant-garde art |
| gptkbp:technique |
gptkb:Kuleshov_Effect
intellectual montage parallel editing rhythmic editing associative editing collision editing discontinuity editing symbolic editing |
| gptkbp:usedIn |
gptkb:Battleship_Potemkin
October: Ten Days That Shook the World Man with a Movie Camera |