Sonatas and Interludes for Prepared Piano
GPTKB entity
Statements (88)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptation |
adapted for other instruments
|
| gptkbp:artistic_influence |
pioneered new techniques in piano performance
|
| gptkbp:audience |
varied interpretations by listeners
|
| gptkbp:author |
analyzed by musicologists
|
| gptkbp:characteristics |
use of unconventional sounds
|
| gptkbp:collaborations |
collaborated with other artists
collaborated with visual artists |
| gptkbp:composer |
gptkb:John_Cage
|
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_impact |
influenced contemporary classical music
influenced visual arts and performance art |
| gptkbp:cultural_references |
referenced in literature and art
referenced in literature and film |
| gptkbp:cultural_significance |
important work in 20th-century music
reflects post-war artistic movements |
| gptkbp:dedication |
to the memory of Erik Satie
to the memory of Henry Cowell |
| gptkbp:duration |
approximately 50 minutes
|
| gptkbp:filming_location |
gptkb:Borough
|
| gptkbp:filmography |
used in soundtracks and scores
|
| gptkbp:first_performance |
1948
|
| gptkbp:focuses_on |
studied in music programs
used in music education programs |
| gptkbp:genre |
experimental music
avant-garde |
| gptkbp:historical_context |
post-World War II era
interpreted by various musicians created during the avant-garde movement |
| gptkbp:historical_significance |
pioneering work in prepared piano technique
|
| https://www.w3.org/2000/01/rdf-schema#label |
Sonatas and Interludes for Prepared Piano
|
| gptkbp:influence |
experimental music
|
| gptkbp:influenced |
many contemporary composers
the minimalist movement the development of sound art |
| gptkbp:influenced_artists |
many modern composers
encouraged improvisational performances experimental and contemporary classical music |
| gptkbp:influences |
gptkb:temple
gptkb:Artist |
| gptkbp:inspired_by |
gptkb:temple
Eastern philosophy |
| gptkbp:instrument |
prepared piano
piano with objects inserted |
| gptkbp:instrumentation |
prepared piano
|
| gptkbp:is_a_venue_for |
performed in concert halls and festivals
|
| gptkbp:is_influenced_by |
inspired new approaches to instrument preparation
|
| gptkbp:is_influential_in |
influenced by American folk music
|
| gptkbp:is_studied_in |
analyzed in musicology courses
|
| gptkbp:legacy |
considered a landmark in 20th-century music
remains a significant work in contemporary music. |
| gptkbp:movement |
gptkb:16
|
| gptkbp:music_style |
used in contemporary dance performances
extended techniques used in performance sonata form and variations unique notation system used |
| gptkbp:notable_event |
featured in music festivals worldwide
|
| gptkbp:notable_feature |
use of unconventional objects
|
| gptkbp:notable_performance |
performed in various festivals
often performed by solo pianists performed by various artists worldwide |
| gptkbp:notable_performers |
performed by renowned pianists
|
| gptkbp:notable_production |
considered a landmark work
|
| gptkbp:notable_recordings |
performed by various artists
multiple recordings available available on various labels performed by prepared piano specialists |
| gptkbp:performance |
requires specific preparation of piano
requires preparation of piano strings requires improvisational skills |
| gptkbp:performed_by |
various music festivals
prepared piano players |
| gptkbp:premiere_date |
1950
|
| gptkbp:publisher |
gptkb:C._F._Peters
gptkb:C._F._Peters_Corporation |
| gptkbp:related_works |
gptkb:Music_of_Changes
other prepared piano compositions |
| gptkbp:style |
experimental music
modern classical |
| gptkbp:technique |
prepared piano
|
| gptkbp:thematic_element |
exploration of silence
exploration of sound explores silence and sound contrast |
| gptkbp:transcribed_for |
transcribed for other instruments
|
| gptkbp:year |
1950
|
| gptkbp:year_composed |
1946
|
| gptkbp:bfsParent |
gptkb:John_Cage
|
| gptkbp:bfsLayer |
4
|