Sonata for Guitar and Strings
GPTKB entity
Statements (53)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:arrangements |
arranged for various ensembles
|
gptkbp:characteristics |
use of counterpoint
emotional depth rhythmic complexity thematic development dynamic contrasts use of motifs lyrical melodies varied textures cultural fusion expressive phrasing use of silence rich harmonic language use of ornamentation use of extended techniques contrapuntal textures emphasis on melody harmonic richness exploration of rhythm integration of different musical styles exploration of musical forms technical demands on the guitarist influence on contemporary guitar music interaction between soloist and ensemble interplay between guitar and strings |
gptkbp:composer |
gptkb:Heitor_Villa-Lobos
|
gptkbp:cultural_significance |
important work in guitar repertoire
|
gptkbp:dedication |
to the guitarist Andrés Segovia
|
gptkbp:duration |
approximately 15 minutes
|
gptkbp:form |
sonata form
|
gptkbp:genre |
gptkb:orchestra
|
https://www.w3.org/2000/01/rdf-schema#label |
Sonata for Guitar and Strings
|
gptkbp:influences |
European classical music
Brazilian folk music |
gptkbp:inspiration |
traditional Brazilian music
European classical traditions |
gptkbp:instrumentation |
gptkb:musician
strings |
gptkbp:movement |
gptkb:Allegro
gptkb:Adagio three |
gptkbp:notable_performers |
gptkb:John_Williams
gptkb:Julian_Bream |
gptkbp:notable_recordings |
multiple recordings available
|
gptkbp:performance |
gptkb:concert_tour
recitals |
gptkbp:premiere |
1951
|
gptkbp:publisher |
gptkb:Max_Eschig
|
gptkbp:style |
gptkb:classical
|
gptkbp:year_composed |
1951
|
gptkbp:bfsParent |
gptkb:Brazilian_Guitar_Quartet_Vol._1
|
gptkbp:bfsLayer |
6
|