Six Concertos for Harpsichord and Orchestra
GPTKB entity
Statements (72)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:built |
1738
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
studied by music scholars |
| gptkbp:crew_size |
arranged for various ensembles
|
| gptkbp:cultural_impact |
impact_on_Baroque_music_appreciation
|
| gptkbp:cultural_significance |
important work in classical music
|
| gptkbp:dedication |
dedicated_to_Anna_Magdalena_Bach
|
| gptkbp:duration |
approximately 20-30 minutes per concerto
|
| gptkbp:formFactor |
concerto form
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historical_analysis |
subject of musicological research
|
| gptkbp:historicalContext |
composed_during_the_Baroque_period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Six Concertos for Harpsichord and Orchestra
|
| gptkbp:influence |
influenced later composers
|
| gptkbp:inspiration |
inspired_by_Italian_concertos
|
| gptkbp:instrument |
gptkb:harpsichord
orchestra brass strings percussion woodwinds |
| gptkbp:keyIssues |
various keys
|
| gptkbp:legacy |
remains a staple in the harpsichord repertoire
|
| gptkbp:notable_event |
Concerto No. 1 in D minor, BWV 1052
Concerto No. 2 in E major, BWV 1053 Concerto No. 3 in D major, BWV 1054 Concerto No. 4 in A major, BWV 1055 Concerto No. 5 in F minor, BWV 1056 Concerto No. 6 in E major, BWV 1057 |
| gptkbp:notable_performers |
performed at major music festivals
featured in concert series |
| gptkbp:notableEvent |
interpreted by renowned harpsichordists
|
| gptkbp:performance |
1738
influences modern performance practices |
| gptkbp:performances |
six
performed by various orchestras |
| gptkbp:publishedBy |
1739
|
| gptkbp:recordings |
numerous recordings available
|
| gptkbp:recordLabel |
recorded by various labels
|
| gptkbp:soundtrack |
features rhythmic complexity
features syncopation features dialogue between soloist and orchestra includes harmonic exploration features counterpoint demonstrates formal structure demonstrates harmonic complexity demonstrates melodic development demonstrates rhythmic vitality demonstrates textural variety exhibits dynamic contrasts exhibits melodic ornamentation exhibits structural clarity exhibits thematic development features harmonic modulation features improvisational elements features melodic lines features thematic interplay includes cadential passages includes cadenzas includes orchestral interludes includes orchestral textures includes ornamentation includes thematic transformation incorporates dance rhythms presents thematic contrasts showcases virtuosity of the harpsichordist uses contrasting dynamics utilizes chromaticism utilizes counterpoint techniques utilizes ritornello form |
| gptkbp:style |
Baroque style
|