Shakespeare's Taming of the Shrew
GPTKB entity
Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:10_Things_I_Hate_About_You
gptkb:The_Taming_of_the_Shrew_(film) |
| gptkbp:character |
gptkb:Baptista_Minola
gptkb:Bianca_Minola gptkb:Gremio gptkb:Hortensio gptkb:Lucentio gptkb:Tranio Grumio |
| gptkbp:cultural_impact |
performed worldwide
inspired numerous adaptations subject of academic study discussions on marriage and gender influenced literature and theatre |
| gptkbp:first_performance |
1592
|
| gptkbp:genre |
gptkb:musical
|
| https://www.w3.org/2000/01/rdf-schema#label |
Shakespeare's Taming of the Shrew
|
| gptkbp:influence |
feminist literature
modern romantic comedies |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Katherine_Minola
gptkb:Petruchio |
| gptkbp:notable_performance |
gptkb:film
Shakespearean theatre Broadway adaptations |
| gptkbp:notable_quote |
What, with my tongue in your tail?
The more I live, the more I love. I am no beast, I am a man. |
| gptkbp:official_language |
Early Modern English
|
| gptkbp:plot |
the theme of transformation
the theme of obedience the theme of deception the theme of identity the theme of rivalry the theme of social class the theme of love and marriage Katherine's transformation Bianca's suitors Petruchio's courtship of Katherine the conflict between Katherine and Petruchio the final speech of Katherine the marriage of Katherine and Petruchio the role of disguise the subplot involving Bianca |
| gptkbp:published_by |
gptkb:First_Folio
Quarto editions |
| gptkbp:setting |
gptkb:Padua
|
| gptkbp:theme |
gptkb:award
power dynamics gender roles |
| gptkbp:written_by |
gptkb:Educational_Institution
|
| gptkbp:bfsParent |
gptkb:Bianca
|
| gptkbp:bfsLayer |
3
|