gptkbp:instance_of
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gptkb:musical_composition
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Maxim_Vengerov
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell
gptkb:Christian_Tetzlaff
gptkb:Hilary_Hahn
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gptkbp:composed_of
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gptkb:Robert_Schumann
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gptkbp:composer
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gptkb:Robert_Schumann
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gptkbp:cultural_impact
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performed in major concert halls
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gptkbp:dedicated_to
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gptkb:Joseph_Joachim
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gptkbp:dedication
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gptkb:Joseph_Joachim
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gptkbp:duration
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20-30 minutes
approximately 20 minutes
approximately 30 minutes
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gptkbp:first_performance
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1851
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gptkbp:genre
|
gptkb:classical
Classical
classical music
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gptkbp:highlights
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for its lyrical qualities
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gptkbp:historical_context
|
Romantic era
19th century Germany
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gptkbp:influenced_by
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gptkb:award
gptkb:Johannes_Brahms
gptkb:Schumann's_own_piano_works
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gptkbp:influences
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gptkb:Beethoven
gptkb:Brahms
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gptkbp:instrumentation
|
gptkb:musician
violin and piano
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gptkbp:is_analyzed_in
|
in music theory courses
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gptkbp:is_available_on
|
gptkb:streaming_platforms
|
gptkbp:is_celebrated_in
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for emotional depth
|
gptkbp:is_cited_in
|
as a significant contribution to violin literature
|
gptkbp:is_considered
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a staple of violin repertoire
|
gptkbp:is_discussed_in
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in musicology literature
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gptkbp:is_evaluated_by
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for melodic invention
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gptkbp:is_featured_in
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in music festivals
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gptkbp:is_linked_to
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to the legacy of Robert Schumann.
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gptkbp:is_often_associated_with
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for its technical challenges
in violin repertoire
as a staple of the violin-piano repertoire
for structural innovation
with the violin-piano duo tradition
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gptkbp:is_often_compared_to
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for harmonic complexity
to works by Dvořák
to works by Mendelssohn
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gptkbp:is_often_used_in
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by various artists
in competitions
in recitals
in chamber music settings
in teaching repertoire
|
gptkbp:is_part_of
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Schumann's chamber works
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gptkbp:is_popular_in
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music festivals
|
gptkbp:is_studied_in
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by music students
by advanced students
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gptkbp:is_valued_for
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for its interpretative possibilities
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gptkbp:key
|
D minor
A minor
G minor
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gptkbp:movement
|
gptkb:Allegro
gptkb:Andante
gptkb:3
three
Allegro molto
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gptkbp:notable_for
|
for its romantic expressiveness
|
gptkbp:notable_recordings
|
gptkb:Gidon_Kremer
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell
gptkb:Anne-Sophie_Mutter
gptkb:Hilary_Hahn
Anne-Sophie Mutter's recording
Hilary Hahn's recording
Joshua Bell's recording
Joshua Bell and Jeremy Denk
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gptkbp:part_of
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gptkb:orchestra
|
gptkbp:performance
|
frequent use of rubato
emphasis on lyrical phrasing
requires technical proficiency
|
gptkbp:performed_by
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gptkb:Maxim_Vengerov
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell
gptkb:Anne-Sophie_Mutter
gptkb:Hilary_Hahn
in competitions
in orchestral settings
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gptkbp:published_by
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gptkb:Schott_Music
1851
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gptkbp:publisher
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gptkb:C._F._Peters
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gptkbp:recorded_by
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many artists
|
gptkbp:related_works
|
gptkb:Fantasiestücke,_Op._73
gptkb:Piano_Trio_in_D_minor
gptkb:Sonata_for_Violin_and_Piano_No._1_in_A_minor,_Op._105
gptkb:Sonata_for_Violin_and_Piano_No._2_in_D_minor,_Op._121
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gptkbp:style
|
Romantic
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gptkbp:year_composed
|
1851
|