gptkbp:instance_of
|
gptkb:composition
|
gptkbp:analysis
|
frequently analyzed in musicology
|
gptkbp:arrangements
|
orchestral version
|
gptkbp:composer
|
gptkb:Arnold_Schoenberg
|
gptkbp:critical_reception
|
mixed reviews at premiere
|
gptkbp:cultural_impact
|
featured in films and media
|
gptkbp:cultural_significance
|
important work in early 20th-century music
|
gptkbp:dedication
|
to Mathilde Schönberg
|
gptkbp:duration
|
approximately 30 minutes
|
gptkbp:first_published
|
1901
|
gptkbp:genre
|
gptkb:string_theory
|
gptkbp:has_reception
|
initially controversial
|
gptkbp:historical_context
|
fin de siècle Vienna
|
gptkbp:influenced
|
gptkb:chamber_music
12-tone technique
modern composers
atonal music
|
gptkbp:influenced_by
|
impressionism
|
gptkbp:influences
|
gptkb:Richard_Wagner
gptkb:Johannes_Brahms
|
gptkbp:inspiration
|
poem by Richard Dehmel
|
gptkbp:instruments
|
gptkb:viola
gptkb:bass_guitar
two violins
two cellos
|
gptkbp:key
|
E major
|
gptkbp:language
|
chromaticism
|
gptkbp:legacy
|
considered a masterpiece
|
gptkbp:motif
|
cyclical motifs
|
gptkbp:notable_conductors
|
gptkb:Gustavo_Dudamel
gptkb:Daniel_Barenboim
gptkb:Simon_Rattle
gptkb:Pierre_Boulez
gptkb:Bernstein
|
gptkbp:notable_performances
|
gptkb:Berlin_Philharmonic
|
gptkbp:notable_recordings
|
gptkb:Miro_Quartet
gptkb:Borodin_Quartet
gptkb:Emerson_String_Quartet
gptkb:Takács_Quartet
gptkb:St._Lawrence_String_Quartet
|
gptkbp:performance
|
varied interpretations
|
gptkbp:performance_tradition
|
frequent concert repertoire
|
gptkbp:performers
|
chamber ensembles
|
gptkbp:premiere
|
1902
|
gptkbp:recordings
|
multiple commercial recordings
|
gptkbp:structure
|
one continuous movement
|
gptkbp:style
|
late-Romantic
|
gptkbp:thematic_element
|
nature and spirituality
|
gptkbp:themes
|
love and transformation
|
gptkbp:year_composed
|
1899
|
gptkbp:bfsParent
|
gptkb:Alisa_Weilerstein
gptkb:James_Levine
gptkb:Erato_Records
|
gptkbp:bfsLayer
|
5
|