Statements (72)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:song
|
| gptkbp:adaptations |
adapted for various media
|
| gptkbp:arrangements |
adapted for various ensembles
|
| gptkbp:artistic_influence |
has influenced film scores
|
| gptkbp:artistic_innovation |
pioneered new forms of expression
|
| gptkbp:associated_band |
extensive choral writing
|
| gptkbp:based_on |
Gurre Ballads by Jens Peter Jacobsen
poems by Jens Peter Jacobsen |
| gptkbp:chamber_version |
arranged for smaller ensemble
|
| gptkbp:composer |
gptkb:Arnold_Schoenberg
|
| gptkbp:conducted |
gptkb:Franz_Schreker
|
| gptkbp:critical_reception |
initially mixed but later acclaimed
|
| gptkbp:cultural_impact |
influenced many 20th-century composers
significant in the development of modern opera |
| gptkbp:cultural_significance |
important work in 20th-century music
continues to resonate with audiences important in the canon of 20th-century music |
| gptkbp:duration |
approximately 90 minutes
|
| gptkbp:first_performance |
gptkb:Vienna
1913 |
| gptkbp:focus |
rich in symbolism
|
| gptkbp:historical_context |
written during the early 20th century
|
| gptkbp:historical_legacy |
remains a staple in concert repertoire
|
| gptkbp:historical_significance |
marks a transition in music history
|
| https://www.w3.org/2000/01/rdf-schema#label |
Schoenberg's Gurre-Lieder
|
| gptkbp:influenced |
avant-garde music
|
| gptkbp:influenced_artists |
inspired later generations of composers
|
| gptkbp:influenced_by |
gptkb:Gustav_Mahler
gptkb:Richard_Wagner late Romanticism folklore and fairy tales |
| gptkbp:influences |
late Romantic music
|
| gptkbp:inspiration |
mythology and folklore
|
| gptkbp:involved_forces |
large orchestra and choir
|
| gptkbp:is_compared_to |
juxtaposes light and dark themes
|
| gptkbp:language |
gptkb:German
|
| gptkbp:lyricist |
gptkb:Arnold_Schoenberg
|
| gptkbp:music_style |
complex and innovative
uses atonality and chromaticism |
| gptkbp:musical_complexity |
features intricate counterpoint
|
| gptkbp:notable_aspect |
' Der Wald'
|
| gptkbp:notable_characters |
gptkb:King_Waldemar
Tove The Woodbird |
| gptkbp:notable_collaborations |
collaborated with prominent artists
|
| gptkbp:notable_conductors |
conducted by famous maestros
|
| gptkbp:notable_performances |
performed at major opera houses
|
| gptkbp:notable_performers |
gptkb:Vienna_Philharmonic
sung by renowned soloists |
| gptkbp:notable_recordings |
performed by leading orchestras
|
| gptkbp:number_of_movements |
gptkb:25
gptkb:5 |
| gptkbp:orchestration |
large orchestra and choir
large orchestra with expanded brass and percussion |
| gptkbp:performance |
requires skilled performers
requires large forces and coordination |
| gptkbp:performance_tradition |
often performed in concert settings
|
| gptkbp:premiere |
1911
|
| gptkbp:premiere_date |
February 23, 1913
|
| gptkbp:premiered_on |
gptkb:Vienna
|
| gptkbp:record_label |
recorded by major labels
|
| gptkbp:recordings |
numerous commercial recordings exist
|
| gptkbp:significance |
pioneering work in modern music
|
| gptkbp:style |
gptkb:Expressionism
expressionism |
| gptkbp:thematic_element |
love and death
explores human emotions explores themes of betrayal |
| gptkbp:theme |
nature and existentialism
|
| gptkbp:bfsParent |
gptkb:The_Berlin_Philharmonic
gptkb:Berlin_Philharmonic |
| gptkbp:bfsLayer |
4
|